In David Sedaris's world, no one is safe and no cow is sacred. A manic cross between Mark Leyner, Fran Lebowitz and the National Enquirer, Sedaris's collection of stories and essays is a rollicking tour through the American Zeitgeist: a man who is loved too much flees the heavyweight champion of the world; a teenage suicide tried to incite a lynch mob at her funeral; and in his essays, David Sedaris considers the hazards of rewards of smoking, writing for Giantess magazine, and living with his scrappy brother Paul, aka 'The Rooster'. With a perfect eye and a voice infused with as much empathy as wit, Sedaris writes and reads stories and essays that target the soulful ridiculousness of our behaviour. Barrel Fever is like a blind date with modern life - and anything can happen.
It is sad because you would like to believe that everyone is unique and then they disappoint you every time by being exactly the same, asking for the same things, reciting the exact same lines as though they have been handed a script.
All of us take pride and pleasure in the fact that we are unique, but I'm afraid that when all is said and done the police are right: it all comes down to the fingerprints.
Essay, "Santaland diaries" - p.233-234, 235
Barrel Fever (1994)
