Quotes about pottery

A collection of quotes on the topic of pottery, likeness, making, evening.

Quotes about pottery

Damodar Dharmananda Kosambi photo

“Archaeologically, this period is still blank… There is no special Aryan pottery… no particular Aryan or Indo-Aryan technique is to be identified by the archaeologists even at the close of the second millennium.”

Damodar Dharmananda Kosambi (1907–1966) Indian mathematician

About the Aryan invasions. The Culture and Civilization of Ancient India in Historical Outline by D.D. Kosambi, Vikas Publishing House Pvt. Ltd, Delhi-Bombay-Bangalore-Kanpur, 1975 (first printed 1970). Quoted in Talageri, S. (2000). The Rigveda: A historical analysis. New Delhi: Aditya Prakashan.

Brandon Sanderson photo
Alain de Botton photo
Kent Hovind photo

“If it came on the evening news tonight that there were five grizzly bears roaming around Cobb County, do you know what would happen by six o'clock in the morning? They would all be dead. Because every redneck in four states would be out there with a rifle, trying to shoot one, right? And whoever could shoot the biggest one would be a hero. They would have his picture on the front page, "Bubba shot the Grizzly Bear" and saved the village. That is exactly what happened to the dragons. If you could figure out a way to kill a dragon, they would be telling stories about you around the campfire. People killed dragons for meat, because they were a menace, to prove that you were a hero, or to prove that you are superior, in competition for land, or for medicinal purposes. Many ancient recipes call for dragon blood, dragon bones, dragon saliva, why? Gilgamesh is famous for slaying a dragon. A Chinese legend tells about a guy named Yu that surveyed the land of China. It says, that after the Flood he surveyed the land, he divided it off into sections. He built channels to drain water off to sea and make the land livable again. Many snakes and dragons were driven from the marshlands. You know that's normal that if you want to build a city. You have to drive off the dragons, then build your city. It was expected that you have got to drive the dragons away or kill them. Why would the Chinese calendar have eleven real animals: the pig, the duck, the dog, and … the dragon? Why would they put just one "mythical" animal in there? Could it be at the time they that they came up with these animals there were 12 real animals? There is one of the oldest pieces of pottery on Planet Earth. It's a piece of slate from Egypt; the first dynasty of United Egypt. It shows long necked dragons […] Why would they put long necked dinosaurs on pottery 3,800 years ago? Here are two long necked dinosaurs with a sheep in between them in their mouths. Here is a hippo tusk from the twelve century B. C., showing an animal with a long neck, and a long tail. Here's a cylinder seal, showing what appears quite obviously to be a long neck dinosaur. The Bible talks about a fiery flying serpent, in Isaiah 14.”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), Dinosaurs and the Bible

Clarice Cliff photo
Charles Krauthammer photo

“The competent archeologist can date pottery much as some of us can date cars or dresses of our own century.”

Cyrus H. Gordon (1908–2001) American linguist

Source: Adventures in the Nearest East (1957), Ch.1 Exploring Edom and Moab

John Ruskin photo

“We have much studied and much perfected, of late, the great civilized invention of the division of labour; only we give it a false name. It is not, truly speaking, the labour that it divided; but the men: — Divided into mere segments of men — broken into small fragments and crumbs of life; so that all the little piece of intelligence that is left in a man is not enough to make a pin, or a nail, but exhausts itself in making the point of a pin or the head of a nail. Now it is a good and desirable thing, truly, to make many pins in a day; but if we could only see with what crystal sand their points were polished, — sand of human soul, much to be magnified before it can be discerned for what it is — we should think that there might be some loss in it also. And the great cry that rises from our manufacturing cities, louder than their furnace blast, is all in very deed for this, — that we manufacture everything there except men; we blanch cotton, and strengthen steel, and refine sugar, and shape pottery; but to brighten, to strengthen, to refine, or to form a single living spirit, never enters into our estimate of advantages. And all the evil to which that cry is urging our myriads can be met only in one way: not by teaching nor preaching, for to teach them is but to show them their misery, and to preach at them, if we do nothing more than preach, is to mock at it. It can only be met by a right understanding, on the part of all classes, of what kinds of labour are good for men, raising them, and making them happy; by a determined sacrifice of such convenience or beauty, or cheapness as is to be got only by the degradation of the workman; and by equally determined demand for the products and results of healthy and ennobling labour.”

Volume II, chapter VI, section 16.
The Stones of Venice (1853)

Howard Carter photo
Karen Blixen photo
Louis Comfort Tiffany photo

“I have always striven to fix beauty in wood, stone, glass or pottery, in oil or watercolor by using whatever seemed fittest for the expression of beauty, that has been my creed.”

Louis Comfort Tiffany (1848–1933) American stained glass and jewelry designer

The Art Work of Louis C. Tiffany (Doubleday, Page & Co New York, 1916)

Pat Murphy photo
Kent Hovind photo
Stephen Colbert photo

“At Pottery Barn, if you knock over a lamp, you have to glue it back together, even if when you're done it looks terrible and it doesn't work. Oh, and you have to stay in the store forever. Oh, and it's an exploding lamp.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

On the "Pottery Barn Rule," The Colbert Report (16 May 2007)

“By examining the pottery on any given site you can tell during which periods it has been occupied.”

Cyrus H. Gordon (1908–2001) American linguist

Source: Adventures in the Nearest East (1957), Ch.1 Exploring Edom and Moab

“The earliest applications of chemical processes were concerned with the extraction and working of metals and the manufacture of pottery.”

J. R. Partington (1886–1965) British chemist

A Short History of Chemistry (1937)
Context: The earliest applications of chemical processes were concerned with the extraction and working of metals and the manufacture of pottery.... The irruption of an iron using race or races into Mediterranean sites... introduced the Iron Age... but many of the oldest arts still survived in almost their original form. The potter, for example, still used nearly the same materials and appliances as Neolithic man.

“Nobody forbade me from observing the potteries in the pottery yard but no archaeologist was there to help me in my study.”

Suraj Bhan (archaeologist) (1931–2010) Indian archaeologist

[Page 3953 para 3826]
Quotes from the Judgment from Honorable Justice Agarwal, 2010