Quotes about overheard

A collection of quotes on the topic of overheard, likeness, people, being.

Quotes about overheard

George Orwell photo
Gabriel Iglesias photo

“I accidentally wound up at this "dance…place", gentleman clubby place. I wasn't driving, it was an accident; we pulled up to the place, ya know (car engine, brakes), ah! I knew where I was, you can be drunk and know where you are, so long as you hear (drum beats), AAAH! I walked in there and I got recognized by one of the dancers. You gotta call them "dancers" or "entertainers" or they'll get mad at you, "(feminine voice) I am not a stripper, ok?! I'm an entertainer." And I said, "No, I'm an entertainer, you're nasty!" Some girl recognized me, and she said, "Omigawd I know who you are, you're faamous!" And I'm like, "Oh no, oh no!" And some other dancer who was spinning around on a pole overheard famous and she stopped [eek! Looks over]. She walks over, "(feminine voice) Oh my gawd, you're famous? Can I have your autograph?" I was like, "You don't even know who I am." "I don't care; SIGN IT!" "Ok, relax; what's your name?" "Diamond." "What's your last name?" "Rodriguez." "(writing)To Diamond, with all my love and affection…" "HURRY UP!" I got so mad, so I wrote, "George Lopez." I was so drunk, I didn't care; and she freaked out, she was like, "Oh my gawd! OH MY GAWD! You're George Lopez!" I can't help it guys, I was so drunk, I did this; I said, "[George Lopez voice] I know, huh? Ay, ay, cabrona! Why you cry!? Why you crying'!?"”

Gabriel Iglesias (1976) American actor

I'm not gonna lie to you guys, George knows that I do it; I don't think he likes it!
Hot & Fluffy (2007)

Alexandre Dumas photo
John Flanagan photo
Cinda Williams Chima photo
Bruce Cockburn photo

“Catching the light and falling into dark
And the world fades out like an overheard remark…
In the falling dark”

Bruce Cockburn (1945) Canadian folk/rock guitarist and singer-songwriter

Title track, In The Falling Dark (See also: John Milton, Paradise Lost, Book I, lines 62-63) Just Listen.. http://www.youtube.com//watch?v=lYAFzVTLIQs
In the Falling Dark (1976)

Nadine Gordimer photo
Gloria Estefan photo

“I overheard backstage... Did someone just auction off Emilio and me? That was scary!”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

comment to audience at "Miami Rocks for [Hurricane Katrina] Relief" concert on September 30, 2005
2007, 2008

Samuel R. Delany photo
Warren Zevon photo
Henry Adams photo
Jack McDevitt photo
George Santayana photo

“I leave you but the sound of many a word
In mocking echoes haply overheard,
I sang to heaven. My exile made me free,
from world to world, from all worlds carried me.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

The Poet's Testament http://www.poemhunter.com/poem/the-poet-s-testament/
Other works

“A key characteristic of the engineering culture is that the individual engineer’s commitment is to technical challenge rather than to a given company. There is no intrinsic loyalty to an employer as such. An employer is good only for providing the sandbox in which to play. If there is no challenge or if resources fail to be provided, the engineer will seek employment elsewhere. In the engineering culture, people, organization, and bureaucracy are constraints to be overcome. In the ideal organization everything is automated so that people cannot screw it up. There is a joke that says it all. A plant is being managed by one man and one dog. It is the job of the man to feed the dog, and it is the job of the dog to keep the man from touching the equipment. Or, as two Boeing engineers were overheard to say during a landing at Seattle, “What a waste it is to have those people in the cockpit when the plane could land itself perfectly well.” Just as there is no loyalty to an employer, there is no loyalty to the customer. As we will see later, if trade-offs had to be made between building the next generation of “fun” computers and meeting the needs of “dumb” customers who wanted turnkey products, the engineers at DEC always opted for technological advancement and paid attention only to those customers who provided a technical challenge.”

Edgar H. Schein (1928) Psychologist

Edgar H. Schein (2010). Dec Is Dead, Long Live Dec: The Lasting Legacy of Digital Equiment Corporation. p. 60

Clive Staples Lewis photo

“When I attempted, a few minutes ago, to describe our spiritual longings, I was omitting one of their most curious characteristics. We usually notice it just as the moment of vision dies away, as the music ends or as the landscape loses the celestial light. What we feel then has been well described by Keats as “the journey homeward to habitual self.” You know what I mean. For a few minutes we have had the illusion of belonging to that world. Now we wake to find that it is no such thing. We have been mere spectators. Beauty has smiled, but not to welcome us; her face was turned in our direction, but not to see us. We have not been accepted, welcomed, or taken into the dance. We may go when we please, we may stay if we can: “Nobody marks us.” A scientist may reply that since most of the things we call beautiful are inanimate, it is not very surprising that they take no notice of us. That, of course, is true. It is not the physical objects that I am speaking of, but that indescribable something of which they become for a moment the messengers. And part of the bitterness which mixes with the sweetness of that message is due to the fact that it so seldom seems to be a message intended for us but rather something we have overheard. By bitterness I mean pain, not resentment. We should hardly dare to ask that any notice be taken of ourselves. But we pine. The sense that in this universe we are treated as strangers, the longing to be acknowledged, to meet with some response, to bridge some chasm that yawns between us and reality, is part of our inconsolable secret. And surely, from this point of view, the promise of glory, in the sense described, becomes highly relevant to our deep desire. For glory meant good report with God, acceptance by God, response, acknowledgment, and welcome into the heart of things. The door on which we have been knocking all our lives will open at last.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

The Weight of Glory (1949)

Fred Thompson photo
Pauline Kael photo
Anna Akhmatova photo

“I've woven them a garment that's prepared
out of poor words, those that I overheard, and will hold fast to every word and glance
all of my days, even in new mischance,
and if a gag should bind my tortured mouth,
through which a hundred million people shout,
then let them pray for me, as I do pray
for them, this eve of my remembrance day.”

Anna Akhmatova (1889–1966) Russian modernist poet

I should like to call you all by name,
But they have lost the lists...
I have, woven fore them a great shroud
Out of the poor words I overheard them speak.
I remember them always and everywhere,
And if they shut my tormented mouth,
Through which a hundred million of my people cry,
Let them remember me also...
Translated by D. M. Thomas
Requiem; 1935-1940 (1963; 1987), Epilogue

Petina Gappah photo

“A lot of my writing is triggered by something true, either something I read in the papers, something I overheard—I am an inveterate eavesdropper—or something that happened in my very large, and very extended, family. And yet it is precisely those things that no one believes are real.”

Petina Gappah (1971) Zimbabwean writer, journalist and business lawyer

On what she typically writes about in “Exclusive interview: Petina Gappah speaks about the highs and lows of her writing career, and reveals details of her next book” https://johannesburgreviewofbooks.com/2017/09/04/exclusive-interview-petina-gappah-speaks-about-the-highs-and-lows-of-her-writing-career-and-reveals-details-of-her-next-book/ in the Johannesburg Review of Books (2017 Sep 4)

Annie Proulx photo

“Where a story begins in the mind I am not sure—a memory of haystacks, maybe, or wheel ruts in the ruined stone, the ironies that fall out of the friction between past and present, some casual phrase overheard. But something kicks in, some powerful juxtaposition, and the whole book shapes itself up in the mind…”

Annie Proulx (1935) American novelist, short story and non-fiction author

On her writing process in in “An Interview with Annie Proulx” https://www.missourireview.com/article/an-interview-with-annie-proulx/ in The Missouri Review (1999 Mar 1)
Personal life and writing career