Quotes about fresco

A collection of quotes on the topic of fresco, work, working, painting.

Quotes about fresco

“If it is a dying craft we can't do anything about it. Civilisation moves on. Where are all the fresco painters now? Where are the landscape artists? What are they doing now? The world is changing. I have been very fortunate to be able to do the same job for 40 years. That's rare in any era.”

Hayao Miyazaki (1941) Japanese animator, film director, and mangaka

on the topic of hand-drawn animation (2005) The Guardian article http://www.theguardian.com/film/2005/sep/14/japan.awardsandprizes <br class="br">On Animation

World, Change

“And the dreams so rich in color. How else would death call you? Waking in the cold dawn it all turned to ash instantly. Like certain ancient frescoes entombed for centuries suddenly exposed to the day.”

Cormac McCarthy book The Road

Source: The Road

Death, Dreams, Color

“Decoration. Very rapidly executed, at one go, spontaneously [reflection of making a mural on the site for the terrace plaza hotel in Cincinnati]. What takes a long time in my case is the work of silent reflection; it is impossible for me to predict the duration of this preparatory period. You have to keep in mind that it is by no means a matter of just doing a large picture, and though it will not be possible to paint a true mural by attacking the wall directly, in fresco, to do so will require persistence while maintaining, as much as possible, the spirit of the great tradition of mural painting. I shall have to go to Cincinnati in advance as soon as I can, to view the architecture and its environs, because otherwise I would only create an easel painting in large format.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

In a letter to Pierre Matisse, 26 January 1946; as quoted in Calder Miro, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 70
1940 - 1960

Time, Painting

“Burn shavings and splinters of pitch pine, and when they turn to charcoal, put them out, and pound them into mortar with size. This will make a pretty black for fresco painting.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book VII, Chapter X, Sec. 3

Painting

“I studied a good deal in the museum at Naples; the Pompeian paintings are extremely interesting from every aspect. So I am staying in the sun – not to paint portraits but while I am warming myself and looking hard at things I hope I will have acquired some of the grandeur and simplicity of the old masters. Raphael didn't work out-of-doors, but he studied the sunlight all the same – his frescoes are full of it. So, by looking around outside, I have finished by seeing only the broad harmonies, and am no longer preoccupied with the little details, which only extinguish the sunlight, instead of increasing its brilliance. I hope therefore, when I get back to Paris, to produce something which will be the outcome of all these general studies, and to give you the benefit of them”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

in a letter written during his three-weeks-stay, working with Paul Cezanne at l'Estaque, near Marseille
Source: 1880's, Renoir – his life and work, 1975, p. 169 in a letter to madame Charpentier, l'Estaque, January 1882

Hope, Study, Sun, Painting

“Modern art has led me to the comprehension and appreciation of Indian painting and sculpture. It seems paradoxical but I know for certain that had we not come away to Europe, I should perhaps never have realised that a fresco from Ajanta or a small piece of sculpture in the Musee Guimet is worth more than a whole Renaissance.”

Amrita Sher-Gil (1913–1941) Hungarian Indian artist

In 1934 on her new art form
Sikh Heritage,Amrita Shergil

Art, Painting

“They speak their loud dialects, / Sicilians, Sardinians, / Calabrians, / they all have their own taverns. / At the other end of the alley, / on the other side / a quiet spot, / waiters and patrons at tables, / their faces, hairdos / out of Pompeii's frescoes. / Large eyes look at us, / the door does not open out, / it opens in.”

Mirkka Rekola (1931–2014) Finnish writer

“.. [to capture] the magic of the ambiance. - [in the fresco which Goya made c. 1798 of Saint Anthony of Padua ]”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

biographical notice, quoted by Goya's son Javier Goya, cited by Valentín de Carderera; cited in Goya: The frescoes in San Antonia de la Florida, by Lafuente de Ferrari. Skira, 1955, p. 144, n. 24.
1800s

“O’Hara was in his most non-stop way of talking, saying that the pictures put him in mind of Tiepolo [Spanish wall-painter, c. 1750]. Certain cupola frescoes. Suddenly I was working in an ancient building, a warehouse facing the Giudecca. The loft over the firehouse was transformed. It was filled with light reflected from the canal. [quote in 1955]”

Phillip Guston (1913–1980) American artist

Guston's quote; as cited in 'Ferguson', 1999, p. 18
1950 - 1960

Way, Quotes, Light

“I'll be in Detroit two more weeks. I would like to tell you every thing that happened to me since the last time we saw each other, but most of them are sad and you mustn't know sad things now. After all I shouldn't complain because I have been happy in many ways though. Diego is good to me, and you can't imagine how happy he has been working on the frescoes here. I have been painting a little too and that helped. I thought of you a lot and never forget your wonderful hands and the color of your eyes. I will see you soon. I am sure that in New York I will be much happier. If you still in the hospital when I come back I will bring you flowers.”

Frida Kahlo (1907–1954) Mexican painter

Quote of Kahlo, in her letter to Georgia O'Keeffe, 1 March 1933, from http://www.patronofthearts.com/2015/07/frida-kahlos-letter-to-georgia-okeefe/ <br class="br">1925 - 1945

Sadness, Color, Way, Imagination