Quotes about facsimile

A collection of quotes on the topic of facsimile, living, making, use.

Quotes about facsimile

“We have a hunger for something like authenticity, but are easily satisfied by an ersatz facsimile.”

George Orwell (1903–1950) English author and journalist

Actually a statement by Miles Orvell, in The Real Thing: Imitation and Authenticity in American Culture, 1880–1940 (1989)
Misattributed

“Inside each of us resides the truth, I began, the absolute truth. But sometimes the truth is hidden in a hall of mirrors. Sometimes we believe we are viewing the real thing, when in fact we are viewing a facsimile, a distortion.”

Garth Stein The Art of Racing in the Rain

Source: The Art of Racing in the Rain

“It’s very tempting when you really want to be with someone to settle for much, much less - even a vague pathetic facsimile of less - than you would have ever imagined. Remember always what you set out to get and please don’t settle for less.”

Greg Behrendt (1963) American comedian

Source: He's Just Not That Into You: The No-Excuses Truth to Understanding Guys

“Rather than pursuing our calling to present a vision of a world filled with God's power and love, the contemporary church merely presents the world as a two-dimensional facsimile of the consumer culture, albeit with a Jesus fish imprint.”

The Divine Commodity: Discovering A Faith Beyond Consumer Christianity (2009, Zondervan)

Love, God, World, Fish

“And yet she had never felt so bereft, as if her presence in other lives were entirely illusory, as if she herself were a kind of facsimile, pleasant but inauthentic. Before she got too old she must wrest some part of her life for herself, or she would fade, vanish, before anyone noticed her disappearance”

Anita Brookner (1928–2016) British novelist and art historian.

A Closed Eye (1991)

“The film has written and spoken dialogue in twenty-five languages-English, French, Japanese, Mandarin, Cantonese, Vietnamese, Latin, Hebrew, necrotic Egyptian … and it has written calligraphic text on paper, wood, and flesh, on flat and curved surfaces, vertically and horizontally, on both living and dead flesh, in neon, on screens, in projection, as sub-title, inter-title, and sur-title, as High Art and low art, as advertisement and banker's check and registration plate, on photograph, on blackboard, as letter correspondence, as photocopy facsimile, and spoken, chanted, and sung, with and without music … a mocking challenge. You want text? Cinema wants text? Cinema pretends to eschew text? Then we can give you text to mock that smug suggestion that cinema thinks it is pictures.”

Peter Greenaway (1942) British film director

"105 Years of Illustrated Text" in the Zoetrope All-Story, Vol. 5 No. 1.
105 Years of Illustrated Text

Art, Music, Thinking, Dead

“By a diabolical irony the very facsimiles of the world which we make on purpose to bring it within our grasp, to make it less elusive, have transported us into a new world of blurs.”

Daniel J. Boorstin (1914–2004) American historian

Source: The Image: A Guide to Pseudo-Events in America (1961), p. 213.

“In no sense other than an utterly trivial one is reproduction the inverse of chemical disintegration. It is a misunderstanding of genetics to suppose that reproduction is only 'intended' to make facsimiles, for parasexual processes of genetical exchange are to be found in the simplest living things.”

Peter Medawar (1915–1987) scientist

1960s, Review of Teilhard de Chardin's "The Phenomenon of Man", 1961

“An ad that pretends to be art is — at absolute best — like somebody who smiles warmly at you only because he wants something from you. This is dishonest, but what's sinister is the cumulative effect that such dishonesty has on us: since it offers a perfect facsimile or simulacrum of goodwill without goodwill's real spirit, it messes with our heads and eventually starts upping our defenses even in cases of genuine smiles and real art and true goodwill. It makes us feel confused and lonely and impotent and angry and scared. It causes despair.”

David Foster Wallace book A Supposedly Fun Thing I'll Never Do Again

A Supposedly Fun Thing I'll Never Do Again
Essays

Smile, Art, Feeling, Perfection

“What’s redacted will repeat,
and you cannot learn that you burn when you touch the heat,
so we touch the heat,
and we cut facsimiles of love and death
(just separate holes in sheets
where you cannot breathe, and you cannot see).”

Joanna Newsom (1982) American musician

Goose Eggs <br class="br"> Divers https://en.wikipedia.org/wiki/Divers_(Joanna_Newsom_album) (2015)

Love, Death, Learning