Quotes about bassoon

A collection of quotes on the topic of bassoon.

Quotes about bassoon

“The bassoon is one of my favorite instruments. It has the medieval aroma, like the days when everything used to sound like that. Some people crave baseball…I find this unfathomable, but I can easily understand why a person could get excited about playing the bassoon.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Source: The Real Frank Zappa Book (1989), p. 144.

People, Understanding, Personality

“Most snoring is composed by Beethoven or Wagner, although a few times Wiggs had heard heavy metal rock performed on the somnambulate bassoon.”

Tom Robbins book Jitterbug Perfume

Jitterbug Perfume (1984)

Time

“Yesterday there was a Concert Spirituel. The symphony by Haydn was lovely and the execution very good. Mademoiselle Wendling and a Welsh tenor Giuliano were hissed. Danner and another Welsh violinist Giuliani were overall applauded. A sinfonia concertante by the brothers Thonberg [Romberg] got applause. The concert on the bassoon by Devienne so so.”

Joseph Martin Kraus (1756–1792) German composer

Gestern war Concert Spirituel. Die Symphonie von Haydn war allerliebst und die Exekution vorzüglich gut. Mlle Wendling und ein welscher Tenorist Giuliano wurden ausgepfiffen. Danner und ein andrer welscher Geiger Giuliani wurden allgemein beklatscht. Eine Symphonie concertante von den Gebrüdern und Söhnen Thonberg [Romberg] fand Beifall. Das Konzert auf dem Fagotte von Devienne so so.
Letter dated Paris, 3rd February 1785. To pater Roman Hofstetter in Amorbach, in: Irmgard Leux-Henschen, Joseph Martin Kraus in seinen Briefen, Stockholm 1978.
Letters

Love

“There once was a brainy baboon,
Who always breathed down a bassoon,
For he said, "It appears
That in billions of years
I shall certainly hit on a tune."”

Arthur Stanley Eddington (1882–1944) British astrophysicist

New Pathways in Science (1935) Ch. IV The End of the World, p. 62

Appearance

“He loved hitherto-unthought-of, thereafter-unthinkable combinations of instruments. When some extraordinary array of players filed half-proudly, half-sheepishly on to the stage, looking like the Bremen Town Musicians—if those were, as I think they were, a rooster, a cat, a dog, and a donkey—you could guess beforehand that it was to be one of Gottfried’s compositions. His Joyous Celebration of the Memory of the Master Johann Sebastian Bach had a tone-row composed of the notes B, A, C, and H (in the German notation), of these inverted, and of these transposed; and there were four movements, the first played on instruments beginning with the letter b, the second on instruments beginning with the letter a, and so on. After the magnificent group that ushered in the piece (bugle, bass-viol, bassoon, basset-horn, bombardon, bass-drum, baritone, and a violinist with only his bow) it was sad to see an Alp horn and an accordion come in to play the second movement. Gottfriend himself said about the first group: “Vot a bunch!””

Randall Jarrell book Pictures from an Institution

When I asked him how he had thought of it he said placidly: “De devil soldt me his soul.”
Source: Pictures from an Institution (1954) [novel], Chapter 4: “Constance and the Rosenbaums”, p. 136

Love, Sadness, Dogs, Soul

“All night have the roses heard
The flute, violin, bassoon;
All night has the casement jessamine stirr'd
To the dancers dancing in tune;
Till a silence fell with the waking bird,
And a hush with the setting moon.”

Alfred, Lord Tennyson (1809–1892) British poet laureate

Part I, section xxii, stanza 3
Maud; A Monodrama (1855)

Bird, Silence, Dance, Night