Quotes about baritone

A collection of quotes on the topic of baritone, voice, stage, role.

Quotes about baritone

“Young Lithuanian baritone Vytautas Juozapaitis was well cast as the suave serial seducer with his aristocratic good looks and deep voice. Most women would find him charismatic if not irresistible. From the first moments it became evident that this company, with attractive sets and costumes, is miles ahead of most touring troupes. Theatrically and musically gratifying were the other cast members, all with international experience.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Corrine Dunn, "A polished Don Giovanni graces the Phil Stage", Naples Daily News (November, 2003) http://www.jennykellyproductions.com/prod_mozart_review.htm

Women, Music

“Baritone Vytautas Juozapaitis was perfectly full of himself as Don Giovanni. His hilarious interactions with sidekick Leporello, played by the animated bass-baritone Stefano de Peppo were the highlights of the show.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

"Mozart Company proves opera can be fun", The Star Presss (November, 2004) http://www.jennykellyproductions.com/prod_mozart_review.htm

Animals

“In the pivotal title role (Rigoletto - ed.), Vytautas Juozapaitis - fondly remembered for his marvelous performance of the title role in Mozart's "Don Giovanni" with the Lirico here in 2003 - sang with a dark, commanding, tragedy-tinged baritone that vividly conveyed the character's flawed humanity and despair. And he masterfully delivered the role's two big arias.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

T. J. Medrek, "Players noteworthy in jester's dark tale". The Boston Herald (October, 2006) http://www.jennykellyproductions.com/prod_teatro_review_rigoletto.htm

Despair

“Most noteworthy was Vytautas Juozapaitis in the title role. He nailed the role with his well projected baritone.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

"Don Giovanni showcases singers", The Desert Sun (November, 2004) http://www.jennykellyproductions.com/prod_mozart_review.htm

“This Don Giovanni had heat, passion and total commitment from everyone involved under dynamic, dramatic direction of conductor Metodi Matakiev. The Don was Lithuanian baritone Vytautas Juozapaitis, a highly physical, Douglas Fairbanks / Errol Flynn kind of Don. Tall, dark, quite handsome, a really sexy beast possessed of a bronze colored voice of power and some suavity, completely at ease on stage, and finally a Don who actually ENJOYS to the hilt the life of a promiscuous hedonist. He was close to irresistible.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

William Fregosi, Opera - L (September 24, 2003) http://www.opera.lt/DesktopDefault.aspx?tabID=538-

Life, Color, Passion

“Equally up to the task was baritone Vytautas Juozapaitis who's tortured characterization of Rigoletto was near flawless, strong and acted with intelligence and emotional depth. Mr. Juozapaitis has a full baritone that displays nice range and clarity, and coupled with the ease with which he commanded the stage, provided just the right measure of appeal that communicated to the audience the conflict and suppressed rage the character, no doubt, felt toward those who used and mocked him. Nicely done!”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Paul Walkovski, "If the rest of the season matches this production in artistic quality, it's going to be one hell of a good season for opera in Boston". operaonline.us (October, 2006) http://www.jennykellyproductions.com/prod_teatro_review_rigoletto.htm

Intelligence, Communication, Strong, Rage

“Tuesday's cast was first rate, led by the remarkable Lithuanian baritone, Vytas Juozapaitis, in the title role.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

T.J Medreck, "Don Giovanni Truly Majestic", Boston Herald (October 2003) http://www.jennykellyproductions.com/prod_mozart_review.htm

“The slim and agile baritone, Vytas Juozapaitis, portrayed the Don as a self centered nobleman. He sang with a pleasant voice, and unlike most interpreters of the role, he had no trouble tossing off the 'Champagne Aria' at top speed.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Opera Japonica (October, 2003)

Speed

“Mr. Martin Tanner, a baritone, of Dayton, Ohio made his Town Hall debut last night. He came well prepared, but unfortunately his presentation was not up to contemporary professional standards. His voice lacks the range of tonal color necessary to make it consistently interesting.
Full time consideration of another endeavor might be in order.”

Harry Chapin (1942–1981) American musician

Mr. Tanner
Song lyrics, Short Stories (1974)

Color, Time, Night

“He loved hitherto-unthought-of, thereafter-unthinkable combinations of instruments. When some extraordinary array of players filed half-proudly, half-sheepishly on to the stage, looking like the Bremen Town Musicians—if those were, as I think they were, a rooster, a cat, a dog, and a donkey—you could guess beforehand that it was to be one of Gottfried’s compositions. His Joyous Celebration of the Memory of the Master Johann Sebastian Bach had a tone-row composed of the notes B, A, C, and H (in the German notation), of these inverted, and of these transposed; and there were four movements, the first played on instruments beginning with the letter b, the second on instruments beginning with the letter a, and so on. After the magnificent group that ushered in the piece (bugle, bass-viol, bassoon, basset-horn, bombardon, bass-drum, baritone, and a violinist with only his bow) it was sad to see an Alp horn and an accordion come in to play the second movement. Gottfriend himself said about the first group: “Vot a bunch!””

Randall Jarrell book Pictures from an Institution

When I asked him how he had thought of it he said placidly: “De devil soldt me his soul.”
Source: Pictures from an Institution (1954) [novel], Chapter 4: “Constance and the Rosenbaums”, p. 136

Love, Sadness, Dogs, Soul

“The greatest credit for the evening's success must be given to the rich-voiced Juozapaitis as Giovanni, and bass-baritone Stefano de Peppo as… Leporello.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Boston Herald (September 25, 2003)

Success

“Charismatic Lithuanian baritone Vytautas Juozapaitis was a spirited, energetic Don Giovanni who held the audience's rapt attention whenever he was on stage. He had an authoritative sound that could be romantically enticing in an attempt to seduce a lady, but could change instantly into a commanding tone when anyone attempted to thwart his will.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Maria Nokin, "Mozart's 'Don Giovanni'". Ensemble (November 26, 2006) http://www.mvdaily.com/articles/2006/11/don-giovanni3.htm

Change

“Lithuanian baritone Vytautas Juozapaitis, last year's devilish, dark-toned Don Giovanni, Teatro Lirico has a powerful singer with an impressive stage presence. Sparks flew because Vasileva and Juozapaitis created such emotional tension: she more nuanced than the usual submissive heroine, he more sympathetic than the stock villain.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Lloyd Schwartz, "Agonies and Ecstasies". The Boston Phoenix (April 9, 2004) http://www.bostonphoenix.com/boston/music/other_stories/multi_1/documents/03734446.asp

“Lithuanian baritone Vytas Juozapaitis brings presence and a warm, strong voice to the title role. When we first see him, hair flying in mid-rape, he looks like Johnny Depp in Pirates of the Caribbean.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Richard Dyer, "Teatro's Don Giovanni a rousing production". Boston Globe (September 25, 2003)

Strong, Flying

“We praise Him, we bless Him, we adore Him, we glorify Him, and we wonder who is that baritone across the aisle and that pretty woman on our right who smells of apple blossoms. Our bowels stir and our cod itches and we amend our prayers for the spiritual life with the hope that it will not be too spiritual.”

John Cheever (1912–1982) American novelist and short story writer

The Late Forties and the Fifties, 1956 entry.
The Journals of John Cheever (1991)

Life, Hope

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

Pleasure, Smile, Music, Imagination

“The performance of Mozart's Don Giovanni Tuesday night at the University of NH, Johnson Theatre, was absolutely stunning. Lithuanian baritone, Vytautas Juozapaitis, (Don Giovanni) not only had the necessary voice, but he played the boastfully lecherous rake to great fanfare.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

"A perversely stunning Don Giovanni", Portsmouth Herald (February, 2004) http://www.jennykellyproductions.com/prod_mozart_review.htm

Universe, Night

“While he and his idol, Hank Williams, have both affected generations with a plaintive veracity of voice that has set them apart, Jones has an additional gift—a voice of exceptional range, natural elegance, and lucent tone. Gliding toward high tenor, plunging toward deep bass, the magisterial portamento of his onward-coursing baritone emits white-hot sparks and torrents of blue, investing his poison love songs with a tragic gravity and inflaming his celebrations of the honky-tonk ethos with the hellfire of abandon.”

George Jones (1931–2013) American musician, singer and songwriter

Nick Tosches The Devil in George Jones http://www.texasmonthly.com/story/devil-george-jones/page/0/1, 1994.

Love, Making love, Nature

“The magnificent baritone was not merely a voice. It was an orchestra of enormous range and power, its graceful sound seemed to linger on for millions who had heard it on film and stage. Homer must have known someone very much like Richard Burton.”

Richard Burton (1925–1984) Welsh actor

Gerald Clarke, in Show Business: The Mellifluous Prince of Disorder http://content.time.com/time/magazine/article/0,9171,954366,00.html, 20 August 1984