Quotes about architecture
page 5

“The design of a digital system starts with the specification of the architecture of the system and continues with its implementation and its subsequent realisation… the purpose of architecture is to provide a function. Once that function is established, the purpose of implementation is to give a proper cost-performance and the purpose of realisation is to build and maintain the appropriate logical organisation.”

Gerrit Blaauw (1924–2018) Dutch computer scientist

Source: Specification of Digital Systems (1978), p. 29

“There always is an architecture, whether it is defined in advance - as with modern computers - or found out after the fact - as with many older computers. For architecture is determined by behavior, not by words. Therefore, the term architecture, which rightly implies the notion of the arch, or prime structure, should not be understood as the vague overall idea. Rather, the product of the computer architecture, the principle of operations manual, should contain all detail which the user can know, and sooner or later is bound to know.”

Gerrit Blaauw (1924–2018) Dutch computer scientist

Source: Computer architecture (1972), p. 155

“In computer design three levels can be distinguished: architecture, implementation and realisation; for the ﬁrst of them, the following working deﬁnition is given: The architecture of a system can be defined as the functional appearance of the system to the user, its phenomenology.”

Gerrit Blaauw (1924–2018) Dutch computer scientist

Although the term architecture was introduced only ten years ago in computer technology (Buchholz), the concept of architecture is as old as the use of mechanism by man. When a child is taught to look at a clock, it is taught the architecture of the clock. It is told to observe the position of the short and the long hand and to relate these to the hours and the minutes. Once it can distinguish the architecture from the visual appearance, it can tell time as easily from a wrist watch as from the clock on the church tower.
The inner structure of a system is not considered by the architecture: we do not need to know what makes the clock tick, to know what time it is. This inner structure, considered from a logical point of view, will be called the implementation, and its physical embodiment the realisation.
Source: Computer architecture (1972), p. 154

“The architecture of a system can be defined as the functional appearance of the system to the user.”

Gerrit Blaauw (1924–2018) Dutch computer scientist

Blaauw (1972) cited in: Gerritt A Blaauw (1976) Digital system implementation. p. 6

“I love a guy who knows how to bitch. Any moron can gripe about chow or rotations, but someone who can get exercised over architecture is my kind of dude.”

Steven Pressfield book The Profession

Gent, p. 202
The Profession (2011)

Bitch, Love, Making love, Guy

“Besides these improvements,… there are others,… which may… be interesting to those… engaged in those departments… Among these may be ranked, in the division of mechanics, properly so called, a simple demonstration of the law of the force by which a body revolves in an ellipsis; another of the properties of cycloidal pendulums; an examination of the mechanism of animal motions; a comparison of the measures and weights of different countries; and a convenient estimate of the effect of human labour: with respect to architecture, a simple method of drawing the outline of a column: an investigation of the best forms for arches; a determination of the curve which affords the greatest space for turning; considerations on the structure of the joints employed in carpentry, and on the firmness of wedges; and an easy mode of forming a kirb roof: for the purposes of machinery of different kinds, an arrangement of bars for obtaining rectilinear motion; an inquiry into the most eligible proportions of wheels and pinions; remarks on the friction of wheel work, and of balances; a mode of finding the form of a tooth for impelling a pallet without friction; a chronometer for measuring minute portions of time; a clock escapement; a calculation of the effect of temperature on steel springs; an easy determination of the best line of draught for a carriage; an investigation of the resistance to be overcome by a wheel or roller; and an estimation of the ultimate pressure produced by a blow.”

Thomas Young (scientist) (1773–1829) English polymath

Preface
A Course of Lectures on Natural Philosophy and the Mechanical Arts (1807)

Drawing, Time, Law, Country

“Every man’s work, whether it be literature or music or pictures or architecture or anything else, is always a portrait of himself, and the more he tries to conceal himself the more clearly will his character appear in spite of him.”

Samuel Butler book The Way of All Flesh

Source: The Way of All Flesh (1903), Ch. 14

Music, Appearance, Literature

“The purpose here is to demonstrate the diversity of classical formulae which appeared in architectural design, and if we look at classical architecture as a repertoire of forms rather than statements of specific design credos we can challenge teleological constructions of stylistic histories. The method of grouping the architecture from given periods of time under general stylistic labels has, without doubt, been the backbone of the discipline of architectural history. And when used skilfully and carefully it can provide useful punctuation marks in the lengthy and complex narrative that is the subject-matter of the history of western building. Yet it is only one of many tools with which to explore social and cultural contexts.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 3 : On classical ground : Histories of style

Appearance, History, Time

“I am interested in how we interrogate architecture in terms of its social functions and meanings. Architectural historians writing on eighteenth and early nineteenth century Britain have tended to see social history as the answer to this question. But the social history of architecture or the histories of specific social groups which operated in and around the architecture or building(s), or indeed the spaces created by them or for them, provide only a backdrop or loose historical context.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 4 : A class performance : Social histories of architecture

History, Question

“Style remains a principal concern of the histories of British architecture from the sixteenth century to the early nineteenth century, if not up to the present day. Architecture and style are interlinked to the point that style can almost be believed to contain the essence of architecture, but if this were the case then style would constitute the subject of architectural history. Quite clearly it does not.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 3 : On classical ground : Histories of style

“Histories based on biographies can present a one-dimensional image of the architects involved, often inflating what was a portion of their existence, interests or social and cultural significance, making architecture appear to be their driving force when in reality it may have been merely one of several interests.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 2 : The authority of the author : Biography and the reconstruction of the canon

Reality, Appearance, Making love, History

“The influence of literary theory on its related disciplines has prompted much debate about the notion of ‘authorship’. Yet the attraction of exploring architecture, or more specifically a building, through the life of its architect (author) remains a significant force in the construction of its histories. This is particularly the case when the architect has been identified as a major figure in the evolution of the architectural history. Conversely, buildings without architects are pushed to the sidelines of history.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 2 : The authority of the author : Biography and the reconstruction of the canon

Life, Relation ships, History

“Architecture differs from a work of art, which can be displayed in different settings and the subject-matter, form and meaning will remain unchanged. The physicality of any built structure can be altered over time as additions and alterations are made. Moreover, a building or work of architecture can change its function as it meets the different demands of its occupants, although its exterior appearance may be unaltered. And its meaning may change depending on the nature of the context. This reveals some of the problems of interpreting historic architecture from a modern-day perspective as the physical changes and different cultural contexts transform the object.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 1 : Reading the past : What is architectural history?

Time, Dependency, Nature, Art

“‘Architecture’ may at first appear to be a more fixed and finite term. It has a threedimensional, tangible, useable form. But questions remain about what can be considered architecture and what cannot, and by this I mean that we usually understand architecture to incorporate aesthetic as well as functional consideration into its structure. Anything that does not fall into this category can be described as ‘just a building’. This may seem too simple. Can architecture be determined solely by the use of refined architectural style – high or polite architecture instead of vernacular?”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 1 : Reading the past : What is architectural history?

Appearance, Understanding, Question

“Architectural History is more than just the study of buildings. Architecture of the past and the present remains an essential emblem of a distinctive social system and set of cultural values, and as a result it has been the subject of study of a variety of disciplines.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 1 : Reading the past : What is architectural history?

Past, Study, History

“All fine architectural values are human values, else not valuable.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

“Recapitulation”
The Living City (1958)

“I could be as jittery as you if I wanted to. But I've studied history and literature. And architecture, and a lot of things. Just to balance this psycho work. There’s a lot more perfection in a Doric column than in you.”

Henry Kuttner (1915–1958) American author

Source: Short fiction, The Fairy Chessmen (1946), Chapter 4 (p. 29)

Study, History, Perfection, Literature

“As property prices started rising, developers snatched up bomb sites and derelict buildings and erected the shapeless concrete lumps that have made the ’70s the shining beacon of architectural splendor that it is.”

Ben Aaronovitch book Moon Over Soho

Source: Moon Over Soho (2011), Chapter 9, “The Forcing House” (p. 194)

“It is generally acknowledged that the future of the European security architecture as an important element of global security should be based on principles of comprehensiveness, indivisibility and partnership, and, in the long run, on collective rather than unilateral action.”

Leonid Kuchma (1938) Second president of Ukraine

Speech at the 52nd session of the United Nations General Assembly (excerpts) (1997)

Partnership, Future

“As melody is in music ornament is in architecture revelation of the poetic-principle, with character and significance.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

A Testament (1957)

“Architecture is intrinsic to Time, Place and Man.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

A Testament (1957)

“Servility increases—already a seemingly unguarded danger to democracy not only in art and architecture and religion but in all phases of life.”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

A Testament (1957)

Democracy, Life, Religion, Art