“If the feeling is there, you might as
well admit it. Saying the words, or not saying
them, doesn't change a damn thing”

Enchantment (1999)

Source: Adam Bede (1859)
Context: These fellow-mortals, every one, must be accepted as they are: you can neither straighten their noses, nor brighten their wit, nor rectify their dispositions; and it is these people — amongst whom your life is passed — that it is needful you should tolerate, pity, and love: it is these more or less ugly, stupid, inconsistent people whose movements of goodness you should be able to admire — for whom you should cherish all possible hopes, all possible patience. And I would not, even if I had the choice, be the clever novelist who could create a world so much better than this, in which we get up in the morning to do our daily work, that you would be likely to turn a harder, colder eye on the dusty streets and the common green fields — on the real breathing men and women, who can be chilled by your indifference or injured by your prejudice; who can be cheered and helped onward by your fellow-feeling, your forbearance, your outspoken, brave justice.
So I am content to tell my simple story, without trying to make things seem better than they were; dreading nothing, indeed, but falsity, which, in spite of one's best efforts, there is reason to dread. Falsehood is so easy, truth so difficult. The pencil is conscious of a delightful facility in drawing a griffin — the longer the claws, and the larger the wings, the better; but that marvellous facility which we mistook for genius is apt to forsake us when we want to draw a real unexaggerated lion. Examine your words well, and you will find that even when you have no motive to be false, it is a very hard thing to say the exact truth, even about your own immediate feelings — much harder than to say something fine about them which is not the exact truth.

Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 7: Time
Source: The Philosophy of Andy Warhol

The Moaning of Life, Karl on Kids

Source: Science and Sanity (1933), p. 35.
Context: "Say whatever you choose about the object, and whatever you might say is not it." Or, in other wordsː "Whatever you might say the object "is", well it is not." This negative statement is final, because it is negative.

Don't Go Away
Be Here Now (1997)

Will and Mary in Ch. 33 : Marzipan
His Dark Materials, The Amber Spyglass (2000)
Context: They lay back, well fed and comfortable in the flower-scented night, and listened to Mary tell her story.
She began just before she first met Lyra, telling them about the work she was doing at the Dark Matter Research group, and the funding crisis. How much time she’d had to spend asking for money, and how little time there’d been left for research!
But Lyra’s coming had changed everything, and so quickly: within a matter of days she’d left her world altogether.
"I did as you told me," she said. "I made a program — that’s a set of instructions — to let the Shadows talk to me through the computer. They told me what to do. They said they were angels, and — well…"
"If you were a scientist," said Will, "I don’t suppose that was a good thing for them to say. You might not have believed in angels."
"Ah, but I knew about them. I used to be a nun, you see. I thought physics could be done to the glory of God, till I saw there wasn’t any God at all and that physics was more interesting anyway. The Christian religion is a very powerful and convincing mistake, that’s all."

Andrew Sega Shrine interview, 2011