“You fainted and I caught you. It was the first time I'd supported a human. You had such heavy bones. I put myself between you and gravity. Impossible.”

Heavy Fuel
Song lyrics, On Every Street (1991)

Bernard, Act II
Arcadia (1993)

Source: City of Lost Souls

Source: Letters to Milena

Source: Bayou Moon

Criterion Collection essay on Rashamon, excerpted from Something Like an Autobiography as translated by Audie E. Bock (1982) http://www.criterion.com/current/posts/196-akira-kurosawa-on-rashomon
Context: Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave — even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it.

Source: The Hunger Angel (2012), p. 20

On her initial decision not to disclose details of her final meeting with Rudd, prior to challenging him for the Labor Party leadership in June 2010.
The Killing Season, Episode three: The Long Shadow (2010–13)

Source: Vampire Academy