“theres no chance
at all:
we are all trapped
by a singular
fate.
nobody ever finds
the one.”

Magnus to Alec, pg. 144
Variant: What’s going on?”
“We seem to be trapped in an episode of,” Magnus observed. “Its all very dull.”
-Alec & Magnus, pg.144-
Source: The Mortal Instruments, City of Ashes (2008)

15 January 2005
http://groups-beta.google.com/group/sci.crypt/msg/49c4cd60d948032d
On testing

Source: The Hound of the Baskervilles

In response to the question about Ship of Theseus: "What do you expect audiences to get out of this film?", in "The Intersection of Cinema, Art, and Existential Philosophy" by Girija Sankar, in Khabar (May 2014) http://www.khabar.com/magazine/features/the_intersection_of_cinema_art_and_existential_philosophy
Context: One singular aspiration in all my work is to attain the state of awe. And what is awe? Awe is when you come across something that is infinitely complex and inexplicable by all your memory and thought systems — and yet comprehensible in a singular gasp of experience. It is an incredibly important emotion for me - the inexplicable is an invitation to engage with the cosmic void that humanity has been in a constant dialogue with for 250,000 years. And for the longest time, the void hasn’t answered back. In the last century, we have steadily found relevant answers, exponentially accumulating and organising into a more holistic meaning. A century ago the narrative was (and it still is, in many places) that if we probe too much into our universe and selves, we would lose out on our capacity of wonder, but exactly the reverse that has happened. When we’ve looked into the molecule we found the atom and when we looked into the atom we found the electron and when we’ve looked at the electron we have experienced sheer awe at its quantum probabilistic nature. So each time the scope of awe has expanded— expanding with it, our foresight, worldview and free will — for me, a film has to grasp that, and translate that experience.

Emily Jessup
Altered States (1980)
Context: We all live with it. That unbearable terror is what makes us such singular creatures. We hide from it, we succumb to it, mostly we defy it! We build fragile little structures to keep it out. We love, we raise families, we work, we make friends. We write poems...

(From a 1963 letter to his wife Gweneth, written while attending a gravity conference in Communist-era Warsaw.)
"Letters, Photos, and Drawings," p. 90-91
What Do You Care What Other People Think? (1988)
Context: The real question of government versus private enterprise is argued on too philosophical and abstract a basis. Theoretically, planning may be good. But nobody has ever figured out the cause of government stupidity — and until they do (and find the cure), all ideal plans will fall into quicksand.

Source: The Gunslinger

Source: The Sun Also Rises