“The boundary between art and kitsch was negotiable, even porous.”
Source: Blue Remembered Earth (2012), Chapter 7 (p. 162)
Source: https://www.mundoclasico.com/articulo/45227/entrevista-intrapersonal-confrontada-omar-jerez-con-jose-baroja
“The boundary between art and kitsch was negotiable, even porous.”
Source: Blue Remembered Earth (2012), Chapter 7 (p. 162)
Source: A Treatise On Political Economy (Fourth Edition) (1832), Book I, On Production, Chapter XVI, p. 142
Orgini e dottrina del fascismo, Rome: Libreria del Littorio, (1929). Origins and Doctrine of Fascism, A. James Gregor, translator and editor, Transaction Publishers (2003) p. 31
Source: Project management: a systems approach to planning, scheduling, and controlling (1979), p. 10 (2e ed. 1984) partly cited in: Frederick Betz (2011) Managing Technological Innovation. p. 172
Opening Spaces: An Anthology of Contemporary African Women's Writing, August 11, 2008 https://www.amazon.com/Opening-Spaces-Anthology-Contemporary-African/dp/0435910108
As quoted in Trial of the Major War Criminals Before the International Military Tribunal (1947) by the International Military Tribunal, Vol. 5, p. 134.
Kein Drang nach Erkenntniß und Einsicht, um ihrer selbst Willen, belebt sein [des Philisters] Daseyn, auch keiner nach eigentlich ästhetischen Genüssen, als welcher dem ersteren durchaus verwandt ist. Was dennoch von Genüssen solcher Art etwan Mode, oder Auktorität, ihm aufdringt, wird er als eine Art Zwangsarbeit möglichst kurz abthun.
E. Payne, trans. (1974) Vol. 1, p. 344
Parerga and Paralipomena (1851), Aphorisms on the Wisdom of Life
“The circulation of commodities is the original precondition of the circulation of money.”
Grundrisse (1857-1858)
Source: Notebook I, The Chapter on Money, p. 107.