“It is true that I was a cinematographer, so for me, the narration of the spectacular is powerful and important. I always pay special attention to the expression of the pictures. It has always been my style.”
"No one to be Missed" in Off Screen https://offscreen.com/view/zhang_yimou (April 1999)
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Zhang Yimou 5
Chinese actor, film director, screenwriter and film producer 1950Related quotes
“For me, the subject of the picture is always more important than the picture.”

Interview with Oriana Fallaci (November 1972), as quoted in "Oriana Fallaci and the Art of the Interview" in Vanity Fair (December 2006) http://www.vanityfair.com/politics/features/2006/12/hitchens200612; Kissinger, as quoted in "Special Section: Chagrined Cowboy" in TIME magazine (8 October 1979) http://www.time.com/time/magazine/article/0,9171,916877,00.html called this "without doubt the single most disastrous conversation I ever had with any member of the press" and claimed that he had probably been misquoted or quoted out of context, but Fallaci later produced the tapes of the interview.
1970s
Context: I've always acted alone. Americans like that immensely.
Americans like the cowboy who leads the wagon train by riding ahead alone on his horse, the cowboy who rides all alone into the town, the village, with his horse and nothing else. Maybe even without a pistol, since he doesn't shoot. He acts, that's all, by being in the right place at the right time. In short, a Western. … This amazing, romantic character suits me precisely because to be alone has always been part of my style or, if you like, my technique.

“I always thought cab drivers didn't pay attention to traffic, but this is ridiculous”
Clary to Jace, pg. 172
The Mortal Instruments, City of Bones (2007)

“Love has always been the most important business in my life; I should say the only one.”
L'amour a toujours été pour moi la plus grande des affaires ou plutôt la seule.
La Vie d'Henri Brulard (1890)
Variant translation: Love has always been the most important business in my life, or rather the only one.

Parade magazine 24 June 2008 http://www.parade.com/celebrity/celebrity-parade/archive/pc_0179.html
Gallery Notes, Allbright-Knox Art Gallery, Vol. 24 summer 1961 pp. 9-14; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 197
1960s

Source: Sculpting in Time (1986), p. 38
Context: Art is born and takes hold wherever there is a timeless and insatiable longing for the spiritual, for the ideal: that longing which draws people to art. Modern art has taken the wrong turn in abandoning the search for the meaning of existence in order to affirm the value of the individual for his own sake. What purports to be art begins to looks like an eccentric occupation for suspect characters who maintain that any personalised action is of intrinsic value simply as a display of self-will. But in an artistic creation the personality does not assert itself it serves another, higher and communal idea. The artist is always the servant, and is perpetually trying to pay for the gift that has been given to him as if by a miracle. Modern man, however, does not want to make any sacrifice, even though true affirmation of the self can only be expressed in sacrifice. We are gradually forgetting about this, and at the same time, inevitably, losing all sense of human calling.