“Being a woman writer, I would be deceiving myself if I said I write completely through the eye of a man. There’s nothing bad in it, but that does not make me a feminist writer. I hate that name. The tag is from the Western world – like we are called the Third World.”

— Buchi Emecheta

Speaking on her writing not as a feminist [as quoted in "Zikoko" https://www.zikoko.com/life/oldies/9-thought-provoking-quotes-from-the-literary-icon-buchi-emecheta/).

Adopted from Wikiquote. Last update Nov. 16, 2021. History

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Buchi Emecheta 11

author 1944–2017

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“I myself hate that old Hemingwayesque paradigm of the writer as prizefighter and I have tried hard to create an alternate one for myself. When Anne Sexton admonished me, "We are all writing God's poem," I took it to mean there should be no competition between writers because we are all involved in a common project, a common prayer. But to Gore's and Norman's generation, particularly those male writers who served in the second world war, the prizefighter paradigm remains.”

Erica Jong (1942) Novelist, poet, memoirist, critic

"Into the lion's den" in The Guardian (26 October 2000) http://www.guardian.co.uk/theguardian/2000/oct/26/features11.g2

“As a writer, I think I’m more an eye than an ear — the world comes mainly in for me at the eye. So I’m glad the visuals came through for you. As I’m writing my books, I really do see them almost literally — I experience scenes almost as an onlooker, watching from the outside.”

Donna Tartt (1963) American writer

Source: On how she uses visualization in her writings in “Interview with Donna Tartt” https://medium.com/@Powells/interview-with-donna-tartt-8d86a2438b41 in Medium (2015 Jul 13)

“I think of myself as a bad writer with big ideas, but I'd rather be that than a big writer with bad ideas.”

Michael Moorcock (1939) English writer, editor, critic

Source: Elric: The Stealer of Souls

“I would write, edit, rewrite and re-edit the text. However, I still felt that I was miles away from the ideal version of the story born and still alive in me. I ran towards it with all my might and when I thought I had finally captured it, it would slip away from me and disappear. It looked more like an everlasting vision of an oasis in the mind of the thirsty pilgrim wandering in the desert. Finally, I realised I would never be able to record it in a way that makes myself completely happy with it. I had felt this earlier, but did not want to acknowledge the feeling, I did not want to feel defeated. Now I know - unless the writer suffers, goes through difficulties and finally, feels beaten, like me; if he writes the way he himself wants to write, if he wins over the story, he is dead and finished, as a writer… So, in a nutshell, the writer faces the possibility to die after finishing each of his/her works. However, it is better not to use that possibility until the end…”

Miho Mosulishvili book A Big She-Bear

Source: A Big She-Bear (2013), p. 3

“As a writer, I see myself more as a communicator. For me, writing is the best part of my career.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

"Billboard Magazine" (11 October 2003)
2007, 2008

“That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.”

Renata Adler (1938) American author, journalist and film critic

Source: Speedboat

“I don't want to be a writer so I can write about my life. I want to be a writer to escape from it.

+ Then you shouldn't be a writer.”

Candace Bushnell book The Carrie Diaries

Source: The Carrie Diaries

“Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there’s a big difference between “being a writer” and writing.”

Alex Haley (1921–1992) African American biographer, screenwriter, and novelist

"The Shadowland of Dreams"', published in Chicken Soup for the Soul at Work (1996) by Jack Canfield, Mark Victor Hansen, Maida Rogerson, Martin Rutte and Tim Clauss; also in Alex Haley : The Man Who Traced America's Roots (2007), a collection of stories and essays by Haley published in Reader's Digest between 1954 to 1991.
Context: Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there’s a big difference between “being a writer” and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at the typewriter. “You’ve got to want to write,” I say to them, “not want to be a writer.”
The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune, there are thousands more whose longing is never requited. Even those who succeed often know long periods of neglect and poverty. I did.

“I myself, as a person, have been influenced by many writers and many things, and my writing has felt the impact of the writing of many writers, some relatively unknown and unimportant, some downright bad. But probably the greatest influence of them all when an influence is most effective — when the man being influenced is nowhere near being solid in his own right — has been the influence of the great tall man with the white beard, the lively eyes, the swift wit and the impish chuckle.”

William Saroyan (1908–1981) American writer

Hello Out There (1941)

“I write exactly as I speak, so therefore I would not say any writer influenced me at all.”

Maeve Binchy (1940–2012) Irish novelist

When asked about her influences. guardian.co.uk http://www.guardian.co.uk/books/2008/jun/10/maevebinchy

“Being a woman writer, I would be deceiving myself if I said I write completely through the eye of a man. There’s nothing bad in it, but that does not make me a feminist writer. I hate that name. The tag is from the Western world – like we are called the Third World.”

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Buchi Emecheta 11

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