“Each person is morally obliged to regard the good of anyone else as much as his own good, except when he judges it to be less, when impartially viewed, or less certainly knowable or attainable by him.”
Source: The Methods of Ethics (1874), Book 3, chapter 13, section 3 (7th ed., 1907)
Help us to complete the source, original and additional information
Henry Sidgwick 5
English philosopher 1838–1900Related quotes
No. 16.
Seventy Resolutions (1722-1723)
Introduction to Absurd Drama (1965) http://www.samuel-beckett.net/AbsurdEsslin.html
Context: The "Theatre of the Absurd" has become a catch-phrase, much used and much abused. What does it stand for? And how can such a label be justified? Perhaps it will be best to attempt to answer the second question first. There is no organised movement, no school of artists, who claim the label for themselves. A good many playwrights who have been classed under this label, when asked if they belong to the Theatre of the Absurd, will indigniantly reply that they belong to no such movement — and quite rightly so. For each of the playwrights concerned seeks to express no more and no less his own personal vision of the world.
Yet critical concepts of this kind are useful when new modes of expression, new conventions of art arise.
Source: Antifragile: Things That Gain from Disorder (2012), p. 16
Interview for French TV (1998)
Nonconformity (1953/1996)
Context: The American middle class's faith in personal comfort as an end in itself is, in essence, a denial of life. And it has been imposed upon American writers and playwrights strongly enough to cut them off from their deeper sources. The shortcut to comfort is called “specialization,” and in an eye-ear-nose-and-throat doctor this makes sense. But in a writer it is fatal. The less he sees of other writers the more of a writer he will ultimately become. When he sees scarcely anyone except other writers, he is ready for New York.
"Andrea del Sarto", line 70
"Less is more" is often misattributed to architects Buckminster Fuller or Ludwig Mies van der Rohe. It is something of a motto for minimalist philosophy. It was used in 1774 by Christoph Martin Wieland.
Men and Women (1855)
Context: I do what many dream of, all their lives,
— Dream? strive to do, and agonize to do,
And fail in doing. I could count twenty such
On twice your fingers, and not leave this town,
Who strive — you don't know how the others strive
To paint a little thing like that you smeared
Carelessly passing with your robes afloat —
Yet do much less, so much less, Someone says,
(I know his name, no matter) — so much less!
Well, less is more, Lucrezia: I am judged.
There burns a truer light of God in them,
In their vexed beating stuffed and stopped-up brain,
Heart, or whate'er else, than goes on to prompt
This low-pulsed forthright craftsman's hand of mine.
Page 177
2000s, (2008)
Persecution and Tolerance, Hulsean Lectures, University of Cambridge (Winter 1893–94)
"How to Love God" (12 September 1954) http://www.avatarmeherbaba.org/erics/lovegod.html <!-- Also in The Path of Love (1986) -->
General sources
Context: When a person tells others “Be good”, he conveys to his hearers the feeling that he is good and they are not. When he says “Be brave, honest and pure”, he conveys to his hearers the feeling that the speaker himself is all that, while they are cowards, dishonest and unclean.
To love God in the most practical way is to love our fellow beings. If we feel for others in the same way as we feel for our own dear ones, we love God.
If, instead of seeing faults in others we look within ourselves we are loving God.