“I conceived the idea from my personal everyday experience, so what's better than to capture myself in the perfect mood.”

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, To Seize Life: Interview with Yvonne Baby (1961), p. 44

Preface
Alone (1938)
Context: This book is the account of a personal experience — so personal that for four years I could not bring myself to write it. It is different from anything else I have ever written. My other books have been factual, impersonal narratives of my expeditions and flights. This book, on the other hand, is the story of an experience which was in considerable part subjective. I very nearly died before it was over.

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 477.

Source: North of Beautiful

I clamored. In a frantic effort to arrive at some kind of order, some tentative working program, I would sit down quietly now and then and spend long, long hours mapping out a plan of procedure. Plans, such as architects and engineers sweat over, were never my forte. But I could always visualize my dreams in a cosmogonic pattern. Though I could never formulate a plot I could balance and weigh opposing forces, characters, situations, events, distribute them in a sort of heavenly lay-out, always with plenty of space between, always with the certitude that there is no end, only worlds within worlds ad infinitum, and that wherever one left off one had created a world, a world finite, total, complete.
The Rosy Crucifixion II : Plexus (1953)

Omnipotence and Other Theological Mistakes (1984)

On writing his book Truffle Boy in “Ian Purkayastha: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/ian-purkayastha-write/ in The Writer (2017 Aug 7)

quote about her attitude
1960s, Interview with Barbara Rose', Archives - American Art, 1968

Source: La náusea