
Introduction, sect. 6
La poétique de la rêverie (The Poetics of Reverie) (1960)
The Aquarian Conspiracy (1980), Chapter Five, The American Matrix for Transformation
Introduction, sect. 6
La poétique de la rêverie (The Poetics of Reverie) (1960)
“Dreams and death were old friends of his. He knew how to navigate their dark borderland.”
Source: The Blood of Olympus
Introduction
Misquoting Jesus (2005)
Context: It is one thing to say that the originals were inspired, but the reality is that we don't have the originals—so saying they were inspired doesn't help me much, unless I can reconstruct the originals. Moreover, the vast majority of Christians for the entire history of the church have not had access to the originals, making their inspiration something of a moot point. Not only do we not have the originals, we don't have the first copies of the originals. We don't even have copies of the copies of the originals, or copies of the copies of the copies of the originals. What we have are copies made later—much later. In most instances, they are copies made many centuries later. And these copies all differ from one another, in many thousands of places. As we will see later in this book, these copies differ from one another in so many places that we don't even know how many differences there are. Possibly it is easiest to put it in comparative terms: there are more differences among our manuscripts than there are words in the New Testament.
“Writing is the destruction of every voice, of every point of origin.”
Letter to Karl Hagemann, 27 February 1937; as quoted in Kirchner and the Berlin street, ed. Deborah Wye, Moma, New York, 2008, p. 81 - note 31
1930's
Source: "Chinese writer finds freedom in English" in Reuters https://www.reuters.com/article/us-china-literature-yan-interview/chinese-writer-finds-freedom-in-english-idUSTRE53M00D20090423 (22 April 2009)
Source: Seth, Dreams & Projections of Consciousness, (1986), p. 195