“Bread has always been one of the oldest subjects of fetishism and obsession in my work, the first and the one to which I have remained the most faithful. I painted the same subject 19 years ago 'Basket of Bread, 1929.”

—  Salvador Dalí

By making a very careful comparison of the two pictures, everyone can study all the history of painting right there, from the linear charm of primitivism to stereoscopic hyper-aestheticism.
Dali's quote, 1945; as cited by R. Descharnes (1985), in Salvador Dalí. Abrams. p. 94. ISBN 0-8109-0830-1
Dali just finished his second painting 'Basket of Bread, 1945'
Quotes of Salvador Dali, 1941 - 1950

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Salvador Dalí 117
Spanish artist 1904–1989

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Salvador Dalí photo

“Bread has always been one of the oldest subjects of fetishism and obsession in my work, the first and the one to which I have remained the most faithful. I painted the same subject 19 years ago 'Basket of Bread, 1929'. By making a very careful comparison of the two pictures, everyone can study all the history of painting right there, from the linear charm of primitivism to stereoscopic hyper-aestheticism.”

Salvador Dalí (1904–1989) Spanish artist

Dali's quote, 1945; as cited by R. Descharnes (1985), in Salvador Dalí. Abrams. p. 94. ISBN 0-8109-0830-1
Dali just finished his second painting 'Basket of Bread, 1945'
Quotes of Salvador Dali, 1941 - 1950

Giorgio Morandi photo

“I have always concentrated on a far narrower field of subject matter than most other painters, so that the danger of repeating myself has been far greater. I think I have avoid this danger by devoting more time and thought to planning each one of my paintings as a variation on one or the other, of these few themes.”

Giorgio Morandi (1890–1964) Italian painter

Source: 1945 - 1964, Interview, 1960, p. 107

Victor Hugo photo

“The need of the immaterial is the most deeply rooted of all needs. One must have bread; but before bread, one must have the ideal.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Ce besoin de l’immatériel est le plus vivace de tous. Il faut du pain; mais avant le pain, il faut l’idéal.
" Les fleurs http://fr.wikisource.org/wiki/Proses_philosophiques_-_Les_Fleurs#IV," (ca. 1860 - 1865), from Oeuvres complètes (1909); published in English as The Memoirs of Victor Hugo, trans. John W. Harding (1899), Chapter VI: Love in Prison, part II

Alan Bennett photo

“… Once I start a book I finish it. That was the way one was brought up. Books, bread and butter, mashed potato - one finishes what's on one's plate. That's always been my philosophy.”

Alan Bennett book The Uncommon Reader

Source: The Uncommon Reader

“I don't think there are any irredeemable themes or tropes, just ones that are waiting for a fresh eye. Horror, science fiction, and fantasy deal with the eternal verities, the subjects that have always - and will always - speak most deeply about who we are. That's why they're the most fascinating genres, and why they're always there to be reinvented. At the very least you can ask, "This subject has been done to death now, so why are we so obsessed with it?"”

Michael Marshall Smith (1965) British novelist, screenwriter and short story writer

and take a new angle from there.
Associated Content Interview (October 23, 2006)

Frida Kahlo photo

“One Sunday, Diego came to the house to see my paintings and critiqued all of them in a very clear manner, and he told me all the possibilities he saw in them. Then I painted two or three things, which are around the house, that to me seem very influenced by him [circa 1928]. They are portraits of thirteen- or fourteen-year-old kids... In 1929, I joined the Communist Party, I got married to Diego, and I had my first abortion. In that year I painted a portrait of Cristina Moya.... and other drawings that Morillo Safa [her main patron] owns. The unfinished [self-]portrait of my first abortion was my first Surrealist painting ['Frida and the Caesarean', she painted in 1929] but not completely. I have it [at home].”

Frida Kahlo (1907–1954) Mexican painter

1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My Painting', p. 74

Peter F. Drucker photo

“The Nazi agitator whom, many years ago, I heard proclaim to a wildly cheering peasants’ meeting: ‘We don’t want lower bread prices, we don’t want higher bread prices, we don’t want unchanged bread prices—we want National-Socialist bread prices,’ came nearer explaining fascism than anybody I have heard since.”

Peter F. Drucker (1909–2005) American business consultant

Source: 1930s- 1950s, The End of Economic Man (1939), pp. 13-14

Jeff Tweedy photo

“A piece of art is not a loaf of bread. When someone steals a loaf of bread from the store, that's it. The loaf of bread is gone. When someone downloads a piece of music, it's just data until the listener puts that music back together with their own ears, their mind, their subjective experience. How they perceive your work changes your work.”

Jeff Tweedy (1967) musician

Interviewed in 2004 http://www.wired.com/news/culture/0,1284,65688,00.html

Suzanne Collins photo

“I don't know what it is with Finnick and bread, but he seems obsessed with handling it.”

Suzanne Collins book Catching Fire

Source: Catching Fire

Susan Sontag photo

“Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

"The Imagination of Disaster" from Against Interpretation and Other Essays (1966), p. 212
Against Interpretation and Other Essays (1966)

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