In his letter to brother Theo, from Cuesmes, Belgium July 1880; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 133) p. 19
1880s, 1880
“When I was.... in the surroundings of pictures and things of art... I then had a violent passion for them... And I do not repent it, for even now, far from that land, I am often homesick for the land of pictures.”
Now for more than five years already, I do not know exactly how long, I'm more or less without employment, wandering here and there.. .But you will ask what is your definite aim? That aim becomes more definite, will stand out slowly and surely, as the rough draft becomes a sketch and the sketch becomes a picture.. .. my only anxiety is: how can I be of use in the world, cannot I serve some purpose and be of any good, how can I learn more and study profoundly certain subjects?
In his letter to brother Theo, from Cuesmes, Belgium July 1880; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 133) p. 19
1880s, 1880
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Vincent Van Gogh 238
Dutch post-Impressionist painter (1853-1890) 1853–1890Related quotes
"On the Mountain Holiday Thinking of My Brothers in Shan-tung" (九月九日忆山东兄弟), trans. Witter Bynner
Variant translation:
To be a stranger in a strange land:
Whenever one feasts, one thinks of one's brother twice as much as before.
There where my brother far away is ascending,
The dogwood is flowering, and a man is missed.
"Thinking of My Brother in Shantung on the Ninth Day of the Ninth Moon", in The White Pony, ed. Robert Payne
In a letter to his sister at the end of his life; as quoted in 'The return of the Native' by Joseph Phelan, Artcyclopedia online
1931 - 1943
On the style of the film Rashomon, as quoted in The Films of Akira Kurosawa (1998) by Donald Richie, 3rd edition, p. 79
Context: I like silent pictures and I always have. They are often so much more beautiful than sound pictures are. Perhaps they had to be. At any rate I wanted to restore some of this beauty. I thought of it, I remember in this way: one of techniques of modern art is simplification, and that I must therefore simplify this film.
Source: after 2000, Doubt and belief in painting' (2003), p. 43, note 36 : quote on his start with photography
Quote from a letter to Mstislav V. Dobushinsky, = A. N. Benois, 1912; as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 147
1910's
“Remember me when I am gone away,
Gone far away into the silent land.”
Remember, l. 1-2 (1862).