
The Strange Necessity (1969), part 1.
that glorious pursuit of annihilation with its ceremonious bellowings and trumpetings over the mangling of human bones and muscles and organs and eyes, its inconceivable agonies which could have been prevented by a few well-chosen, reasonable words. How, why, did this unnecessary business begin? Why does anyone want to read about it — this redundant human madness which men accept as inevitable?
The Strange Necessity (1969), part 1.
The Strange Necessity (1969), part 1.
Source: Simone Weil : An Anthology (1986), The Power of Words (1937), p. 224
Context: What a country calls its vital economic interests are not the things which enable its citizens to live, but the things which enable it to make war; petrol is much more likely than wheat to be a cause of international conflict. Thus when war is waged it is for the purpose of safeguarding or increasing one's capacity to make war. International politics are wholly involved in this vicious cycle. What is called national prestige consists in behaving always in such a way as to demoralize other nations by giving them the impression that, if it comes to war, one would certainly defeat them. What is called national security is an imaginary state of affairs in which one would retain the capacity to make war while depriving all other countries of it. It amounts to this, that a self-respecting nation is ready for anything, including war, except for a renunciation of its option to make war. But why is it so essential to be able to make war? No one knows, any more than the Trojans knew why it was necessary for them to keep Helen. That is why the good intentions of peace-loving statesman are so ineffectual. If the countries were divided by a real opposition of interests, it would be possible to arrive at a satisfactory compromise. But when economic and political interests have no meaning apart from war, how can they be peacefully reconciled?
“How can anyone be against love?”
By Any Means Necessary (1970)
“You may not be interested in war, but war is interested in you.”
Misattributed
“How can anyone see the only way the world can be saved and not be forced to weep?”
The Last Temptation of Christ (1951)
“How can you have a war on terrorism when war itself is terrorism?”
" Art Dictionary: Lawrence Weiner, A Sculptor of Language http://www.hatjecantz.de/lawrence-weiner-5098-1.html," at hatjecantz.de. 2012.
“This is not a war, this is a test of how far man can be degraded”
Source: Birdsong