“This Reger is a sarcastic, churlish fellow, bitter and pedantic and rude. He is a sort of musical Cyclops, a strong, ugly creature bulging with knotty and unshapely muscles, an ogre of composition. In listening to these works…one is perforce reminded of the photograph of Reger which his publishers place on the cover of their catalogue of his works, the photograph that shows something that is like a swollen, myopic beetle with thick lips and sullen expression, crouching on an organ bench.”

—  Max Reger

Anonymous article in Musical Portraits (1920), as quoted in Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time (1965) by Nicolas Slonimsky, p.120

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "This Reger is a sarcastic, churlish fellow, bitter and pedantic and rude. He is a sort of musical Cyclops, a strong, ug…" by Max Reger?
Max Reger photo
Max Reger 1
German composer, pianist and conductor 1873–1916

Related quotes

Alexander Rodchenko photo

“[my goal is] to photograph not a factory but the work itself from the most effective point of view.... in order to show the grandness of a machine, one should photograph not all of it but give a series of snapshots.”

Alexander Rodchenko (1891–1956) Russian artist and photographer

Quote, 1930: from Rodchenko lecture at the October group's meeting; as quoted by Margarita Tupitsyn in Chapter 'Fragmentation versus Totality: The Politics of (De)framing', in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 486
the issue was not to take 'photo pictures' of the entire object but to make 'photo stills' of characteristic parts of an object

Alessandra Ambrosio photo
Gerhard Richter photo

“Composition is a side issue. Its role in my selection of photographs is a negative one at best. By which I mean that the fascination of a photograph is not in its eccentric composition but in what it has to say: its information content. And, on the other hand, composition always also has its own fortuitous rightness.”

Gerhard Richter (1932) German visual artist, born 1932

Notes, 1964; as cited on collected quotes on the website of Gerhard Richter: 'on Techniques' https://www.gerhard-richter.com/en/quotes/techniques-5
1960's

Ansel Adams photo
W. H. Auden photo
Tom Savini photo
Dmitri Shostakovich photo
Edmund Hillary photo

“I didn't worry about getting Tenzing to take a photograph of me — as far as I knew, he had never taken a photograph before, and the summit of Everest was hardly the place to show him how.”

Edmund Hillary (1919–2008) New Zealand mountaineer

On the photograph of Sherpa guide Tenzing Norgay at the summit of Everest, in "Adventure's End" in The Norton Book of Sports (1992) edited by George Plimpton, p. 86
Context: Tenzing had been waiting patiently, but now, at my request, he unfurled the flags wrapped around his ice–axe and standing at the summit, held them above his head. Clad in all his bulky equipment and with the flags flapping furiously in the wind, he made a dramatic picture, and the thought drifted through my mind that this photograph should be a good one if it came out at all. I didn't worry about getting Tenzing to take a photograph of me — as far as I knew, he had never taken a photograph before, and the summit of Everest was hardly the place to show him how.

Related topics