Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 60.
“Is the Gospel story historically true? Is it a mystical tale of great beauty and of real teaching value but nevertheless of no vital import to the intelligent men and women of today, who pride themselves on their reasoning powers and upon their independence of ancient mental trammels and of old and dusty traditions? As to the perfection of the portrayed character of Christ there is never any question. The enemies of Christianity admit His uniqueness, His basic profundity and His understanding of the hearts of men. They recognise the intelligence of His ideas and sponsor them in their own philosophies. The developments which the Carpenter of Nazareth brought about in the fabric of human life, His social and economic ideals, and the beauty of the civilisation which could be founded upon the ethical teaching of the Sermon on the Mount are frequently emphasised by many who refuse to recognise His mission as an expression of divinity.”
Source: From Bethlehem to Calvary (1937), Chapter One
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Alice A. Bailey 109
esoteric, theosophist, writer 1880–1949Related quotes
Source: The Reappearance of the Christ (1948), Chapter IV: The Work of the Christ Today and in the Future, p. 64
“Bruno's teachings combined the new science of his time with traditional Cabalistic mysticism.”
"Giordano Bruno", p. 95
Everything Is Under Control (1998)
Context: Most historians merely mention that Bruno was charged with the heresy of teaching Copernican astronomy, but Frances Yates, a historian who specialized in the occult aspects of the scientific revolution, points out that Bruno was charged with 18 heresies and crimes, including the practice of sorcery and organizing secret societies to oppose the Vatican. Yates thinks Bruno may have had a role in the invention of either Rosicrucianism or Freemasonry or both.
Bruno's teachings combined the new science of his time with traditional Cabalistic mysticism. He believed in a universe of infinite space with infinite planets, and in a kind of dualistic pantheism, in which the divine is incarnate in every part but always in conflicting forms that both oppose and support each other. Whatever his link with occult secret societies, he influenced Hegel, Marx, theosophy, James Joyce, Timothy Leary, Discordianism, and Dr. Wilhelm Reich.
Source: Collins explaining what he calls the literary principal guiding him, in the preface of the second edition of The Woman in White. Also in Reality's Dark Light: The Sensational Wilkie Collins by Maria K. Bachman & Don Richard Cox [University of Tennessee Press, 2003, ISBN 1-572-33274-3] ( p. xiv https://books.google.com/books?id=_X8AlmIp0dwC&pg=PR14)
1840s, Heroes and Hero-Worship (1840), The Hero as Poet
Context: I cannot call this Shakspeare a "Sceptic," as some do; his indifference to the creeds and theological quarrels of his time misleading them. No: neither unpatriotic, though he says little about his Patriotism; nor sceptic, though he says little about his Faith. Such "indifference" was the fruit of his greatness withal: his whole heart was in his own grand sphere of worship (we may call it such); these other controversies, vitally important to other men, were not vital to him.
Khurshid Alam Khan in: Foreword.
About Zakir Hussain, Quest for Truth (1999)
“The vampire was real. It was only that his true story had never been told.”
Source: I Am Legend and Other Stories