Source: Story: Substance, Structure, Style, and the Principles of Screenwriting
“In the British vacuum of passive-aggressive public transport and mumbled apologies, Chris Martin’s stomach-ribbing charisma on stage can be as nauseating as doing star jumps right after lunch, and it’s not hard to see how the everlasting hate for Coldplay was born. But when we hate on them, are we just acknowledging that we want to experience more from life? Or are we negating the fact we feel these everyday – average, yet no less meaningful – emotions deep down, too? I think it’s a bit of both.”
Ryan Bassil, February 11 2016. source http://www.vice.com/en_uk/article/6w8v44/why-do-we-hate-coldplay
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Chris Martin 40
musician, co-founder of Coldplay 1977Related quotes
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Source: Sceptical Essays
Remarks at a meeting of Operation PUSH in Chicago (27 November 1993). Quoted in "Crime: New Frontier - Jesse Jackson Calls It Top Civil-Rights Issue" by Mary A. Johnson, 29 November 1993, Chicago Sun-Times (ellipsis in original). Partially quoted in "In America; A Sea Change On Crime" http://www.nytimes.com/1993/12/12/opinion/in-america-a-sea-change-on-crime.html by Bob Herbert, 12 December 1993, New York Times.
Quoted in "The Earthy Pundit" at OutlookIndia (25 December 2000) http://www.outlookindia.com/full.asp?fodname=20001225&fname=Ilaiah+Profile+%28F%29&sid=1.
“We don't stop loving people just because we hate them, but we don't stop hating them either.”
Source: One Last Thing Before I Go
(1836-1) (Vol.46) Experience
The Monthly Magazine
Source: The Sacred Depths of Nature (1998), p. xvi
Context: Any global tradition needs to begin with a shared worldview — a culture-independent, globally accepted consensus as to how things are. From my perspective, this part is easy. How things are is, well, how things are; our scientific account of Nature, an account that can be called the Epic of Evolution… This is the story, the one story, that has the potential to unite us, because it happens to be true.
If religious emotions can be elicited by natural reality — and I believe that they can — then the story of Nature has the potential to serve as the cosmos for the global ethos that we need to articulate. I will not presume to suggest what this ethos might look like. Its articulation must be a global project. But I am convinced that the project can be undertaken only if we all experience a solemn gratitude that we exist at all, share a reverence for how life works, and acknowledge a deep and complex imperative that life continue.