“If one of the two is lacking, no reality happens, no radio music plays, the picture screen remains blank.”

— Albert Hofmann

Ch. 11 : LSD Experience and Reality http://www.psychedelic-library.org/child11.htm
LSD : My Problem Child (1980)
Context: Of greatest significance to me has been the insight that I attained as a fundamental understanding from all of my LSD experiments: what one commonly takes as "the reality," including the reality of one's own individual person, by no means signifies something fixed, but rather something that is ambiguous — that there is not only one, but that there are many realities, each comprising also a different consciousness of the ego.
One can also arrive at this insight through scientific reflections. The problem of reality is and has been from time immemorial a central concern of philosophy. It is, however, a fundamental distinction, whether one approaches the problem of reality rationally, with the logical methods of philosophy, or if one obtrudes upon this problem emotionally, through an existential experience. The first planned LSD experiment was therefore so deeply moving and alarming, because everyday reality and the ego experiencing it, which I had until then considered to be the only reality, dissolved, and an unfamiliar ego experienced another, unfamiliar reality. The problem concerning the innermost self also appeared, which, itself unmoved, was able to record these external and internal transformations.
Reality is inconceivable without an experiencing subject, without an ego. It is the product of the exterior world, of the sender and of a receiver, an ego in whose deepest self the emanations of the exterior world, registered by the antennae of the sense organs, become conscious. If one of the two is lacking, no reality happens, no radio music plays, the picture screen remains blank.

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "If one of the two is lacking, no reality happens, no radio music plays, the picture screen remains blank." by Albert Hofmann?

Albert Hofmann 42

Swiss chemist 1906–2008

Related quotes

“When a psychoanalyst takes on the role of a blank screen, all he really learns is how the patient responds to people who try to act like they’re a blank screen.”

David H. Levy (1948) Canadian astronomer

Humor in Psychotherapy (2007)

“No one wants to admit we're addicted to music. That's just not possible. No one's addicted to music and television and radio. We just need more of it, more channels, a larger screen, more volume. We can't bear to be without it, but no, nobody's addicted. We could turn it off anytime we wanted.”

Chuck Palahniuk book Lullaby

Source: Lullaby (2002), Chapter 3
Context: No one wants to admit we're addicted to music. That's just not possible. No one's addicted to music and television and radio. We just need more of it, more channels, a larger screen, more volume. We can't bear to be without it, but no, nobody's addicted. We could turn it off anytime we wanted. I fit a window frame into a brick wall. With a little brush, the size for fingernail polish, I glue it. The window is the size of a fingernail. The glue smells like hair spray. The smell tastes like oranges and gasoline

“Does screen violence provide a window or a mirror? Is it an effect or a cause, an encouragement, a facilitation? Fairly representatively, I think, I happen to like screen violence while steadily execrating its real-life counterpart. Moreover, I can tell the difference between the two. One is happening, one is not.”

Martin Amis (1949) Welsh novelist

Review of Hollywood vs. America by Michael Medved, p. 16
The War Against Cliché: Essays and Reviews 1971-2000 (2001)

“Games run primarily on music loops. Each piece is composed to cycle during gameplay so it’s important to create music that doesn’t get monotonous or annoying and has very exact pacing. The use of themes, signature motifs and rhythmic passages needs to be arranged so they remain effective when played over and over. In a film, it’s a one-time-through experience. Tracks are scored tightly to picture and each track is crafted to exactly match what’s going on on-screen. Scoring in such a precise manner wouldn’t be practical in games because of the dynamic environment of gameplay. It can be different each time you revisit a level or area of a game, whereas a film is intended to play one way every time.”

Michael Wandmacher (1967) composer

Exclusive Interview: Composer Michael Wandmacher discusses his Voice from the Stone score and more https://www.flickeringmyth.com/2017/09/interview-composer-michael-wandmacher-discusses-his-voice-from-the-stone-score-more/ (September 16, 2017)

“An hour of the real thing. Ravi Shankar, a wonderful virtuoso, played his own Indian music to us at the radio station. Brilliant, fascinating, stimulating, wonderfully played. Unbelievable skill and invention.”

Ravi Shankar (1920–2012) Indian musician and sitar player

By the world's most performed opera composer Benjamin Britten quoted in Letter found from Britain's greatest opera composer's drawer shows his love for Ravi Shankar, 2 October 2013, Official website of Ravishnkar Organization http://www.ravishankar.org/,