
The Sword Sung
1790s, Poems from Blake's Notebook (c. 1791-1792)
The Reaper and the Flowers, st. 1 (1839).
The Sword Sung
1790s, Poems from Blake's Notebook (c. 1791-1792)
The Crisis No. I.
1770s, The American Crisis (1776–1783)
Context: It matters not where you live, or what rank of life you hold, the evil or the blessing will reach you all. The far and the near, the home counties and the back, the rich and the poor, will suffer or rejoice alike. The heart that feels not now is dead; the blood of his children will curse his cowardice, who shrinks back at a time when a little might have saved the whole, and made them happy. I love the man that can smile in trouble, that can gather strength from distress, and grow brave by reflection. 'Tis the business of little minds to shrink; but he whose heart is firm, and whose conscience approves his conduct, will pursue his principles unto death.
My own line of reasoning is to myself as straight and clear as a ray of light. Not all the treasures of the world, so far as I believe, could have induced me to support an offensive war, for I think it murder; but if a thief breaks into my house, burns and destroys my property, and kills or threatens to kill me, or those that are in it, and to "bind me in all cases whatsoever" to his absolute will, am I to suffer it? What signifies it to me, whether he who does it is a king or a common man; my countryman or not my countryman; whether it be done by an individual villain, or an army of them? If we reason to the root of things we shall find no difference; neither can any just cause be assigned why we should punish in the one case and pardon in the other. Let them call me rebel and welcome, I feel no concern from it; but I should suffer the misery of devils, were I to make a whore of my soul by swearing allegiance to one whose character is that of a sottish, stupid, stubborn, worthless, brutish man.
His Dream http://poetry.poetryx.com/poems/1509/
The Green Helmet and Other Poems (1910)
Context: I swayed upon the gaudy stern
The butt-end of a steering-oar,
And saw wherever I could turn
A crowd upon a shore.
And though I would have hushed the crowd,
There was no mother's son but said,
'What is the figure in a shroud
Upon a gaudy bed?'
And after running at the brim
Cried out upon that thing beneath
--It had such dignity of a limb--
By the sweet name of Death.
Though I'd my finger on my lip,
What could I but take up the song?
And running crowd and gaudy ship
Cried out the whole night long,
Crying amid the glittering sea,
Naming it with the ecstatic breath,
Because it had such dignity,
By the sweet name of Death.
From the seventh book, "The Book of Youth"
The Pillow Book
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 66.
“They wander in deep woods, in mournful light,
Amid long reeds and drowsy headed poppies
And lakes where no wave laps, and voiceless streams,
Upon whose banks in the dim light grow old
Flowers that were once bewailèd names of kings.”
Errantes silva in magna et sub luce maligna<br/>inter harundineasque comas gravidumque papaver<br/>et tacitos sine labe lacus, sine murmure rivos,<br/>quorum per ripas nebuloso lumine marcent<br/>fleti, olim regum et puerorum nomina, flores.
Errantes silva in magna et sub luce maligna
inter harundineasque comas gravidumque papaver
et tacitos sine labe lacus, sine murmure rivos,
quorum per ripas nebuloso lumine marcent
fleti, olim regum et puerorum nomina, flores.
"Cupido Cruciator", line 5; translation from Helen Waddell Mediaeval Latin Lyrics ([1929] 1943) p. 31.
"Tarquin of Cheapside"
Quoted, Tales of the Jazz Age (1922)
from Lorenz Hart's lyric to "Do it the Hard Way" from Pal Joey.