Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 359
Context: I like nature but not its substitutes. Naturalist art, illusionism, is a substitute for nature. I remember that in arguing with Piet Mondrian [in Paris, 1920's], he opposed art to nature saying that art is artificial and nature is natural. I do not share this opinion. I do not think that nature is in natural opposition to art. Art's origins are natural.
Source: The Mass Psychology of Fascism (1933), Ch. 1 : Ideology As Material Power, Section 4 : The Social Function of Sexual Suppression
Context: The suppression of natural sexual gratification leads to various kinds of substitute gratifications. Natural aggression, for example, becomes brutal sadism which then is an essential mass-psychological factor in imperialistic wars.
“Art is a substitute for violence.”
Source: Power and Innocence (1972), Ch. 11 : The Humanity of the Rebel
Context: Art is a substitute for violence. The same impulses that drive persons to violence — the hunger for meaning, the need for ecstasy, the impulse to risk all — drive the artist to create. He is by nature our archrebel. … the essence of the rebellion is in the new way of seeing nature and life.
Source: An Urchin in the Storm (1987) "Utopia, Limited", p. 225
Source: Principles of Economics (1998-), Ch. 2. Thinking Like an Economist; p. 21
Letter to H.G. Wells (10 July 1915).
pg. 379
The Sports and Pastimes of the People of England (1801), Gun safety
As quoted in Readings in American art, 1900 -1975 (1975) by Barbara Rose, p. 117
1970s and later
Variant: In nature, light creates the color. In the picture, color creates the light.
