
(27th April 1822) The Poet
4th May 1822) Sappho see The Vow of the Peacock (1835
The London Literary Gazette, 1821-1822
Source: The Moral Judgment of the Child (1932), Ch. 1 : The Rules of the Game, § 8 : Conclusions : Motor Rules and the Two Kinds of Respect
Context: Every observer has noted that the younger the child, the less sense he has of his own ego. From the intellectual point of view, he does not distinguish between external and internal, subjective and objective. From the point of view of action, he yields to every suggestion, and if he does oppose to other people's wills — a certain negativism which has been called "the spirit of contradiction" — this only points to his real defenselessness against his surroundings. A strong personality can maintain itself without the help of this particular weapon. The adult and the older child have complete power over him. They impose their opinions and their wishes, and the child accepts them without knowing that he does so. Only — and this is the other side of the picture — as the child does not dissociate his ego from the environment, whether physical or social, he mixes into all his thoughts and all his actions, ideas and practices that are due to the intervention of his ego and which, just because he fails to recognize them as subjective, exercise a check upon his complete socialization. From the intellectual point of view, he mingles his own fantasies with accepted opinions, whence arise pseudo lies (or sincere lies), syncretism, and all the features of child thought. From the point of view of action, he interprets in his own fashion the examples he has adopted, whence the egocentric form of play we were examining above. The only way of avoiding these individual refractions would lie in true cooperation, such that both child and senior would each make allowance for his own individuality and for the realities that were held in common.
(27th April 1822) The Poet
4th May 1822) Sappho see The Vow of the Peacock (1835
The London Literary Gazette, 1821-1822
2010s
Source: Robert Krulwich. " Nature Has A Formula That Tells Us When It's Time To Die http://www.npr.org/blogs/krulwich/2013/01/22/169976655/nature-has-a-formula-that-tells-us-when-its-time-to-die," at npr.org, Jan. 22, 2013.
NOW interview (2004)
Context: Art has always been my salvation. And my gods are Herman Melville, Emily Dickinson, Mozart. I believe in them with all my heart. And when Mozart is playing in my room, I am in conjunction with something I can't explain — I don't need to. I know that if there's a purpose for life, it was for me to hear Mozart. Or if I walk in the woods and I see an animal, the purpose of my life was to see that animal. I can recollect it, I can notice it. I'm here to take note of. And that is beyond my ego, beyond anything that belongs to me, an observer, an observer.
Diogenes Laërtius, vi. 37
Quoted by Diogenes Laërtius
4 Burr. Part IV., 2379.
Dissenting in Millar v Taylor (1769)
This Business of Living (1935-1950)
1950s, Conquering Self-centeredness (1957)
Ash Wednesday General Audience (1 March 2017), as quoted in "Pope Francis: ‘we do not go to heaven in a carriage’" at Vatican Radio (1 March 2017) http://en.radiovaticana.va/news/2017/03/01/pope_francis_‘we_do_not_go_to_heaven_in_a_carriage’_/1295741
2010s, 2017
Context: Every step, every effort, every test, every fall and every recovery has a sense within God’s design for salvation, as He wants life – not death – and joy – not pain – for His people … This doesn’t mean that he did everything and we don’t have to do anything.