John Zachman (1934) American computer scientist
Source: A Framework for Information Systems Architecture, 1987, p. 283. cited in: Stephen L. Montgomery (1994) Object-oriented information engineering: : analysis, design, and implementation. p. 279
Music, Mind, and Meaning (1981)
Context: What is the difference between merely knowing (or remembering, or memorizing) and understanding?... A thing or idea seems meaningful only when we have several different ways to represent it — different perspectives and different associations.... Then we can turn it around in our minds, so to speak: however it seems at the moment, we can see it another way and we never come to a full stop. In other words, we can 'think' about it. If there were only one way to represent this thing or idea, we would not call this representation thinking.
John Zachman (1934) American computer scientist
Source: A Framework for Information Systems Architecture, 1987, p. 283. cited in: Stephen L. Montgomery (1994) Object-oriented information engineering: : analysis, design, and implementation. p. 279
Marcia Jones (writer) (1958) American author
Marcia Thornton Jones Interview https://web.archive.org/web/20121024121117/http://www.scholastic.com/teachers/article/marcia-thornton-jones-interview-transcript (1997)
Mark S. Fox (1952) Canadian computer scientist and Professor of Industrial Engineering
Michael Grüninger and Mark S. Fox (1995) " The role of competency questions in enterprise engineering http://www.eil.utoronto.ca/enterprise-modelling/papers/benchIFIP94.pdf." Benchmarking—Theory and Practice. Springer US, 1995. 22-31.
Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity
Aphorism (1937), p. 38
Attributed in posthumous publications, Albert Einstein: The Human Side (1979)
Context: Body and soul are not two different things, but only two different ways of perceiving the same thing. Similarly, physics and psychology are only different attempts to link our experiences together by way of systematic thought.
Henry Giroux (1943) American academic
Interview with Media For Us, 2019
Jonas Salk (1914–1995) Inventor of polio vaccine
Academy of Achievement interview (1991)
Context: I have come to associate a kind of success that we are referring to, to individuals who have a combination of attributes that are often associated with creativity. In a way they are mutants, they are different from others. And they follow their own drummer. We know what that means. And are we all like that? We are not like that. If you are, then it would be well to recognize that there were others before you. And, people like that are not very happy or content, until they are allowed to express, or they can express what's in them to express. It's that driving force that I think is like the process of evolution working on us, and in us, and with us, and through us. That's how we continue on, and will improve our lot in life, solve the problems that arise. Partly out of necessity, partly out of this drive to improve.
David Hockney (1937) British artist
Interview with Lester Strong" 'Love is the only serious subject' " http://glreview.com/13.3-hockney.php Gay & Lesbian Review Worldwide, (May/June 2004) <br class="br">2000s
Alan Moore (1953) English writer primarily known for his work in comic books
De Abaitua interview (1998)
Context: To me, when we talk about the world, we are talking about our ideas of the world. Our ideas of organisation, our different religions, our different economic systems, our ideas about it are the world. We are heading for a radical revision where you could say we are heading towards the end of the world, but more in the R. E. M. sense than the Revelation sense. That is what apocalypse means – revelation. I could square that with the end of the world, a revelation, a new way of looking at things, something that completely radicalises our notions of the where we were, when we were, what we were, something like that would constitute an end to the world in the kind of abstract – yet very real sense – that I am talking about. A change in the language, a change in the thinking, a change in the music. It wouldn’t take much – one big scientific idea, or artistic idea, one good book, one good painting – who knows – we are at a critical point where the ideas are coming thicker and faster and stranger and stranger than they ever were before. They are realised at a greater speed, everything has become very fluid.