
Encountering Directors interview (1969)
Comments on Fear and Loathing in Las Vegas in The Great Shark Hunt: Strange Tales from a Strange Time (1979), p. 109
1970s
Context: The only other important thing to be said about Fear & Loathing at this time is that it was fun to write, and that's rare — for me, at least, because I've always considered writing the most hateful kind of work. I suspect it's a bit like fucking — which is fun only for amateurs. Old whores don't do much giggling. Nothing is fun when you have to do it — over and over, again and again — or else you'll be evicted, and that gets old. So it's a rare goddamn trip for a locked-in, rent-paying writer to get into a gig that, even in retrospect, was a kinghell, highlife fuck-all from start to finish... and then to actually get paid for writing this kind of manic gibberish seems genuinely weird; like getting paid for kicking Agnew in the balls. So maybe there's hope. Or maybe I'm going mad... In a nation ruled by swine, all pigs are upward mobile — and the rest of us are fucked until we can put our acts together: Not necessarily to Win, but mainly to keep from Losing Completely... The Swine are gearing down for a serious workout this time around... So much, then, for The Road — and for the last possibilities of running amok in Las Vegas... Well, at least, I'll know I was there, neck deep in the madness, before the deal went down, and I got so high and wild that I felt like a two-ton Manta ray jumping all the way across the Bay of Bengal.
Encountering Directors interview (1969)
“I've always tried to write the kind of book I most loved to read: character-centered adventure.”
"'A Conversation With Lois McMaster Bujold", p. 60
The Vorkosigan Companion (2008)
“Writing — I exist only for that. It’s the most important thing in my life.”
1970s-, The Captains, the Kings, and Taylor Caldwell (1978)
Context: About half of my published novels were written before I was published. So I didn’t write a book every two years, as some people think.
Writing — I exist only for that. It’s the most important thing in my life. It’s not apart from me. I have no other interests, except cooking. I don’t belong to any organizations, clubs — I don’t go to lunches. This is my life, the most important thing — far more important than anything else I do. It has to be that way, otherwise you’re just a hobbyist.
Now, a painter needs only to know the technique of his painting, and he has to have a tremendous emotional response to it. Musicians, sculptors — the same way. But they don’t have to know about everything. A writer does.<!--
He has to do a tremendous amount of reading, too. I’d rather go without food, sleep, even cigarettes, than go without books. I read at least three of four books a week, plus all kinds of publications, some very weird. I like to know what’s going on, what people think. I read the far left, the far right, and in between, to see what people are doing and saying.
Billy Joe Shaver Bares 'Tooth,' First Album in Seven Years (2014)
“Write about the emotions you fear the most.”
National Observer (12 March 1977)
Associated Content Interview (October 23, 2006)
Quoted in Francis Davis, Afterglow: A Last Conversation with Pauline Kael (Da Capo, 2003, ISBN 0-306-81230-4).