
“…talent and genius operate outside the rules, and theory conflicts with practice.”
On War (1832), Book 2
Some Notes on Caravaggio (1956)
Context: Caravaggio speaks to us out of a consciousness that is brooding and obsessive, and affects us in a way that is not simply artistic. By this I mean that he comes close to presenting us with a sensation of amorphous and desperate desire unredeemed by an authoritative vision. It can be felt in the apprehensive boredom of the unsuccessful pictures and in the oppressive intensity of the best. If this sensation were deep enough it might have destructive effects, since we all live within that margin of order which we succeed in imposing on life, i. e., on the unfulfilled longings of the heart, and his work might then be truly diabolic. His genius operates in that world of antithesis where the conflict between ideal and reality rages, and the moral victory, i. e., the ultimate affirmation of the goodness of life, is always so tenuously won that we feel the dread of chaos intensely- even when he is completely successful. If there could be such a contradictory phenomenon as the uninnocent artist he might be it. He indicates the sort of sensations we might expect from such a monster. But since he is wholly innocent beneath the apparent evidence of corruption he ends by moving us in a profound and religious way.
“…talent and genius operate outside the rules, and theory conflicts with practice.”
On War (1832), Book 2
“The "paradox" is only a conflict between reality and your feeling of what reality "ought to be."”
volume III; lecture 18, "Angular Momentum"; section 18-3, "The annihilation of positronium"; p. 18-9
The Feynman Lectures on Physics (1964)
Part I. Introduction. 3. The Origins of the Style
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)
Source: Introduction to General Systems Thinking, 1975, p. 12; Cited in: Nawaz Sharif, Pakorn Adulbhan (1978) Systems models for decision making. p. 38
“Where wisdom reigns, there is no conflict between thinking and feeling.”
translated as The Cost of Discipleship (1959), p. 51.
Discipleship (1937), Costly Grace
Context: The antithesis between the Christian life and the life of bourgeois respectability is at an end. The Christian life comes to mean nothing more than living in the world and as the world, in being no different from the world, in fact, in being prohibited from being different from the world for the sake of grace. The upshot of it all is that my only duty as a Christian is to leave the world for an hour or so on a Sunday morning and go to church to be assured that my sins are all forgiven. I need no longer try to follow Christ, for cheap grace, the bitterest foe of discipleship, which true discipleship must loathe and detest, has freed me from that.
Internet Encyclopedia of Philosophy