
John Guinn (December 22, 1982) "Rubinstein Was His Music", Detroit Free Press, p. 8D.
Attributed
Letter to Paul Dukas (1901)
Context: I confess that I am no longer thinking in musical terms, or at least not much, even though I believe with all my heart that Music remains for all time the finest means of expression we have. It’s just that I find the actual pieces — whether they’re old or modern, which is in any case merely a matter of dates — so totally poverty-stricken, manifesting an inability to see beyond the work-table. They smell of the lamp, not of the sun. And then, overshadowing everything, there’s the desire to amaze one’s colleagues with arresting harmonies, quite unnecessary for the most part. In short, these days especially, music is devoid of emotional impact. I feel that, without descending to the level of the gossip column or the novel, it should be possible to solve the problem somehow. There’s no need either for music to make people think! … It would be enough if music could make people listen, despite themselves and despite their petty mundane troubles, and never mind if they’re incapable of expressing anything resembling an opinion. It would be enough if they could no longer recognize their own grey, dull faces, if they felt that for a moment they had been dreaming of an imaginary country, that’s to say, one that can’t be found on the map.
John Guinn (December 22, 1982) "Rubinstein Was His Music", Detroit Free Press, p. 8D.
Attributed
A message on a phonograph cylinder, recorded by Arthur Sullivan at a demonstration of Thomas Edison's phonograph in London on 5 October 1888; cited from Michael Chanan Repeated Takes: A Short History of Recording and its Effects on Music (London: Verso, 1995) p. 26. See also "Historic Sullivan Recordings" http://diamond.boisestate.edu/gas/sullivan/html/historic.html at the Gilbert and Sullivan Archive; and Very Early Recorded Sound http://www.nps.gov/edis/photosmultimedia/very-early-recorded-sound.htm at the National Historical Park website. The recording was issued on CD by the British Library (Voices of History 2: NSACD 19-20, 2005).
Igor Stravinsky and Robert Craft (1962). Expositions and Developments.
1960s
answer to question "How different is your music now from what it was 20 years ago?"
2006
Source: The Life Energy in Music, Vol. 1 (1981), p. 105
1920s, Viereck interview (1929)
"Fidelity"
Begin to Hope (2006)
Context: I never loved nobody fully
Always one foot on the ground
And by protecting my heart truly
I got lost in the sounds
I hear in my mind
All these voices
I hear in my mind all these words
I hear in my mind all this music
And it breaks my heart
It breaks my heart...