“The known plane is God's creation, fallen out of its union with Him, and therefore the world of the flesh needing redemption, the world of men, and of time, and of things — our world.”
The Epistle to the Romans (1918; 1921)
Context: The known plane is God's creation, fallen out of its union with Him, and therefore the world of the flesh needing redemption, the world of men, and of time, and of things — our world. This known plane is intersected by another plane that is unknown — the world of the Father, of the Primal Creation, and of the final Redemption. The relation between us and God, between this world and His world presses for recognition, but the line of intersection is not self-evident. <!-- p. 29
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Karl Barth 73
Swiss Protestant theologian 1886–1968Related quotes
Source: 1940 - 1950, The Plasmic Image 2. 1943-1945, p. 125

The Epistle to the Romans (1918; 1921)
Context: The name Jesus defines an historical occurence and marks the point where the unknown world cuts the known world... as Christ Jesus is the plane which lies beyond our comprehension. The plane which is known to us, He intersects vertically, from above. Within history Jesus as the Christ can be understood only as Problem or Myth. As the Christ He brings the world of the Father. But we who stand in this concrete world know nothing, and are incapable of knowing anything, of that other world. The Resurrection from the dead is, however, the transformation: the establishing or declaration of that point from above, and the corresponding discerning of it below. <!-- p. 29

Allegories of the Sacred Laws (Legum allegoriae), Book I, §2; tr. C. D. Yonge, The works of Philo Judaeus (1854), Vol. 1, pp. 52–53.

March 2, 1936 Fire
Diary entries (1914 - 1974)

Michel Henry, Incarnation. Une philosophie de la chair, éd. du Seuil, 2000, p. 373
Books on Religion and Christianity, Incarnation: A philosophy of Flesh (2000)
Original: (fr) Notre chair porte en elle le principe de sa manifestation, et cette manifestation n’est pas l’apparaître du monde. En son auto-impressionnalité pathétique, en sa chair même, donnée à soi en l’Archi-passibilité de la Vie absolue, elle révèle celle-ci qui la révèle à soi, elle est en son pathos l’Archi-révélation de la Vie, la Parousie de l’absolu. Au fond de sa Nuit, notre chair est Dieu.