James McNeill Whistler (1834–1903) American-born, British-based artist
Propositions, 2
1870 - 1903, The Gentle Art of Making Enemies' (1890)
Nano Reid (1950)
Context: Nano Reid does not begin a portrait with any ideas about the person she draws. She is concerned with the head, its existence as a structure with certain characteristics. She is so much concerned with this that her portraits are inevitably deep studies of character and personality. The head, the face, the lines and features, contain everything for the painter who understands well enough to put it down.
James McNeill Whistler (1834–1903) American-born, British-based artist
Propositions, 2
1870 - 1903, The Gentle Art of Making Enemies' (1890)
“Science is what we understand well enough to explain to a computer. Art is everything else we do.”
Donald Ervin Knuth Things a Computer Scientist Rarely Talks About
Foreword to the book A=B http://www.cis.upenn.edu/~wilf/AeqB.html (1996) <br class="br">Source: Things a Computer Scientist Rarely Talks About
“To photograph: it is to put on the same line of sight the head, the eye and the heart.”
Henri Cartier-Bresson (1908–2004) French photographer
Paul Cézanne (1839–1906) French painter
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), pp. 184-185 in: 'What he told me – II. The Louvre'
“Who sees the human face correctly: the photographer, the mirror, or the painter?”
Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer
Paul Cézanne (1839–1906) French painter
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 196 in: 'What he told me – II. The Louvre'
Maurice Denis (1870–1943) French painter
Quote 1890, from Denis' essay published in the review 'Art et Critique'; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [13] <br class="br">In August 1890, Denis consolidated his new ideas and presented them in a famous essay published in the review 'Art et Critique'. In his essay, he termed the new movement 'neo-traditionaism', in opposition to the 'progressism' of the Neo-impressionists, led by Seurat <br class="br">1890 - 1920
“What you have in your head, put down on paper. The head is a fragile vessel.”
Dmitri Shostakovich book Testimony
Page 229
Testimony (1979)