
1911 - 1940, Notes on Painting - Edward Hopper (1933)
Source: Biographia Literaria (1817), Ch. XIV.
Context: The poet, described in ideal perfection, brings the whole soul of man into activity, with the subordination of its faculties to each other according to their relative worth and dignity. He diffuses a tone and spirit of unity, that blends, and (as it were) fuses, each into each, by that synthetic and magical power, to which I would exclusively appropriate the name of Imagination.
1911 - 1940, Notes on Painting - Edward Hopper (1933)
Source: Aphorisms and Reflections (1901), p. 234
Source: Aphorisms and Reflections (1901), p. 226
“The poet's business is not to save the soul of man but to make it worth saving.”
Quoted by Louis Untermeyer in Modern British Poetry http://books.google.com/books?id=GiwMAQAAIAAJ&q=%22The+poet's+business%22+%22is+not+to+save+the+soul+of+man+but+to+make+it+worth+saving%22&pg=PA178#v=onepage (1920)
Essays on Woman (1996), Problems of Women's Education (1932)
Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Harmony of Determinism and Freedom, p.356
Thoughts and Glimpses (1916-17)
Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Harmony of Determinism and Freedom, p.375-6
Source: Talks for the Times (1896), "The Importance of Correct Ideals" (1892), p. 287