“You can live your life two ways: You can use your language to manipulate. You can use it as a tool to get what you want. But the problem with that is that it assumes you know what you want, and that you're right. And that's a problem, because there's lots of things you don't know, and if you get what you want you may find that (A.) You didn't really want it, and (B.) that you're not the person that started the journey towards that. That happens a lot to people, especially when they use their language in a manipulative way.”

“There is no such thing as duty. If you know that a thing is right, you want to do it. If you don't want to do it—it isn't right. If it's right and you don't want to do it—you don't know what right is and you're not a man.”

“It is not in the resolution of problems that you will find happiness. If you want to find that happiness, if you want to find that joy, then find that one thing that is within inside of you. That is you, that is your reality, that is your core that can bring you that joy. This disparity has existed and existed and existed, yet people keep saying, 'No, these people don't know what they're talking about.”

“And you know that when the truth is told that you can get what you want or you can just get old.”

“Don't settle. Know what you want and reach for it. And if you don't know what you want, be patient.
The answers will
come to you in time, and you may find that your heart s desire has been right under your nose all the
while.”

“If you have a lot of what people want and can't get, then you can supply the demand and shovel in the dough. ”

“Never ask people. Not about your work. Don't you know what you want? How can you stand it, not to know?”

“If you don't get what you want, you suffer; if you get what you don't want, you suffer; even when you get exactly what you want, you still suffer because you can't hold on to it forever.”

“A lot of people who are in the movie business don't really know much about movies, and they certainly don't know movie history. You have to even find a code when you're talking to these people—you can't use the references that you would use when talking to somebody who knows movie history. When you go in to pitch something, it depends what you invoke. You can't invoke anything really before 1980 with these people because they don't know what you're talking about. It's limiting. They get annoyed. They get offended that you are somehow trying to expose the fact that they don't know things, and make them feel inadequate. Which is of course not the point, or why you do it.”

“Hello!
Is it me you're looking for?
I can see it in your eyes.
I can see it in your smile.
You're all I've ever wanted
And my arms are open wide.
'Cause you know just what to say.
And you know just what to do.
And I want to tell you so much;
I love you.”