
Cassandra (1860)
Un Art de Vivre (The Art of Living) (1939), The Art of Working
Cassandra (1860)
The Stereotype
The Female Eunuch (1970)
Context: The stereotype is the Eternal Feminine. She is the Sexual Object sought by all men, and by all woman. She is of neither sex, for she has herself no sex at all. Her value is solely attested by the demand she excites in others. All she must contribute is her existence. She need achieve nothing, for she has herself no sex at all. her value is solely attested by the demand she excites in others. All she must contribute is her existence. She need achieve nothing, for she is the reward of achievement. She need never give positive evidence of her moral character because virtue is assumed from her loveliness, and her passivity.
1993 Senate Judiciary Committee confirmation hearings. As quoted in: Olivia Waxman (August 2, 2018): Ruth Bader Ginsburg Wishes This Case Had Legalized Abortion Instead of Roe v. Wade. In: Time Magazine. Archived https://web.archive.org/web/20220527151841/https://time.com/5354490/ruth-bader-ginsburg-roe-v-wade/ from [hhttps://time.com/5354490/ruth-bader-ginsburg-roe-v-wade/ the original] on May 27, 2022. As quoted in: Louise Melling (Deputy Legal Director and Director of Ruth Bader Ginsburg Center for Liberty, ACLU) (September 23, 2020): For Justice Ginsburg, Abortion Was About Equality. In: American Civil Liberties Union (ACLU). Archived https://web.archive.org/web/20220527144342/https://www.aclu.org/news/reproductive-freedom/for-justice-ginsburg-abortion-was-about-equality from the original https://www.aclu.org/news/reproductive-freedom/for-justice-ginsburg-abortion-was-about-equality on May 27, 2022.
1990s
In " The role Emeka Ike played in my marriage http://www.vanguardngr.com/2013/06/the-role-emeka-ike-played-in-my-marriage/" by Opeoluwani Ogunjimi on vanguardngr.com, June 15, 2013: On her song "African Woman Skillashy"
La jeune fille n'a qu'une coquetterie, et croit avoir tout dit quand elle a quitté son vêtement; mais la femme en a d'innombrables et se cache sous mille voiles; enfin elle caresse toutes les vanités, et la novice n'en flatte qu'une. Il s'émeut d'ailleurs des indécisions, des terreurs, des craintes, des troubles et des orages chez la femme de trente ans, qui ne se rencontrent jamais dans l'amour d'une jeune fille.Arrivée à cet âge, la femme demande à un jeune homme de lui restituer l'estime qu'elle lui a sacrifiée; elle ne vit que pour lui, s'occupe de son avenir, lui veut une belle vie, la lui ordonne glorieuse; elle obéit, elle prie et commande, s'abaisse et s'élève, et sait consoler en mille occasions, où la jeune fille ne sait que gémir.
Source: A Woman of Thirty (1842), Ch. III: At Thirty Years.
“A woman must have money and a room of her own if she is to write fiction.”
Source: A Room of One's Own (1929), Ch. 1, p. 4
“Forgiveness: Once a woman has forgiven her man, she must not reheat his sins for breakfast.”
Marlene Dietrich's ABC https://books.google.com/books?id=u7x5UYHMs0IC&printsec=frontcover&dq=intitle:Marlene+intitle:Dietrich%27s+intitle:abc&hl=en&sa=X&ved=0ahUKEwjv7qiV8cPfAhWinuAKHcZLAWQQ6AEIKjAA#v=snippet&q=forgiveness&f=false (1962)