“On 30 Rock and Studio 60 and the Sunset Strip airing in the same year: "We’ll probably end up doing a terrible crossover, where the Matthew Perry character on the drama rapes my character on the comedy—and then the ‘Law & Order’ team solves the crime."”

HuffPost Article - Interview with Lynn Shelton, Director of Humpday - 25 May 2011 https://www.huffpost.com/entry/interview-with-lynn-shelt_b_227673 - Archive https://web.archive.org/web/20210727183525/https://www.huffpost.com/entry/interview-with-lynn-shelt_b_227673

Vol. I, Ch. 11: Of the Times of the Birth and Passion of Christ
Observations upon the Prophecies of Daniel, and the Apocalypse of St. John (1733)
Context: Thus have we in the Gospels of Matthew and John all things told in due order, from the beginning of John's preaching to the death of Christ, and the years distinguished from one another by such essential characters that they cannot be mistaken. The second Passover is distinguished from the first, by the interposition of John's imprisonment. The third is distinguished from the second, by a double character: first, by the interposition of the feast to which Christ went up, Mat. viii. 19. Luke ix. 57. and secondly, by the distance of time from the beginning of Christ's preaching: for the second was in the beginning of his preaching, and the third so long after, that before it came Christ said, from the days of John the Baptist until now, &c. and upbraided the cities of Galilee for their not repenting at his preaching, and mighty works done in all that time. The fourth is distinguished from the third, by the mission of the twelve from Christ to preach in the cities of Judea in all the interval. The fifth is distinguished from all the former by the twelve's being returned from preaching, and continuing with Christ during all the interval, between the fourth and fifth, and by the passion and other infallible characters.

I was literally living off Ramen noodles and water just because I was sticking to my guns. It was very hard because they offer you so much money. It's so easy to say, 'Ah fuck it, at least I can live and eat.'
Interview with Detour (Summer 2000).

The Apprentice, Series 1

As quoted in New Musical Express (1991-11-23).
Interviews (1989-1994), Print

"The Case for Comedy", Lanterns & Lances (1961).
From Lanterns and Lances‎

Attributed

Source: New Africa; an essay on government civilization in new countries, and on the foundation, organization and administration of the Congo Free State, THE ORIENTAL SLAVE-TRADE, Page 132. https://archive.org/details/newafricaessayon00desciala/page/152/mode/2up Lambermont at the Berlin Conference.

Preface
Never at Rest (1980)