
The Art of Fiction http://public.wsu.edu/~campbelld/amlit/artfiction.html (1884)
Statement of 1965, as quoted without citation of a specific work in Isaac Asimov’s Book of Science and Nature Quotations (1988), edited by Asimov and Jason A. Shulman, p. 233 https://archive.org/details/BookOfScienceAndNatureQuotations-IsaacAsimov
General sources
The Art of Fiction http://public.wsu.edu/~campbelld/amlit/artfiction.html (1884)
Ma Ying-jeou (2013) cited in: " Ma calls for rights tolerance in China http://www.taipeitimes.com/News/front/archives/2013/06/05/2003563998" in The Taipei Times, 5 June 2013.
Statement made in commemorating the 24th anniversary of the Tiananmen incident, 4 June 2013.
Political issues
1890s, The Path of the Law (1897)
Context: When we study law we are not studying a mystery but a well-known profession. We are studying what we shall want in order to appear before judges, or to advise people in such a way as to keep them out of court. The reason why it is a profession, why people will pay lawyers to argue for them or to advise them, is that in societies like ours the command of the public force is intrusted to the judges in certain cases, and the whole power of the state will be put forth, if necessary, to carry out their judgments and decrees. People want to know under what circumstances and how far they will run the risk of coming against what is so much stronger than themselves, and hence it becomes a business to find out when this danger is to be feared. The object of our study, then, is prediction, the prediction of the incidence of the public force through the instrumentality of the courts.
“[W]aste in intellect may be as much an incident of growth as waste in nature.”
p, 125
New Fragments (1892)
24 June 1827
Table Talk (1821–1834)
“Subject.... no specific scene but many incidents.”
The first word I spoke was Argula – it has no meaning. I was then five years old. Thus I called this painting 'Argula' as I was entering a new period closer to my instincts.
(Technique..:) Hundreds and hundreds of layers of paint to obtain the weight of reality – Art this period I measured by weight. [mid 1930's]
in his reply to Questionnaires of the MOMA museum, 1941
Gorky's quote refers on his multi-layered painting technique Gorky applied those days
1930 - 1941
Fiction, The Crawling Chaos (1921)
Context: There now ensued a series of incidents which transported me to the opposite extremes of ecstasy and horror; incidents which I tremble to recall and dare not seek to interpret. No sooner had I crawled beneath the overhanging foliage of the palm, than there dropped from its branches a young child of such beauty as I never beheld before. Though ragged and dusty, this being bore the features of a faun or demigod, and seemed almost to diffuse a radiance in the dense shadow of the tree. It smiled and extended its hand, but before I could arise and speak I heard in the upper air the exquisite melody of singing; notes high and low blent with a sublime and ethereal harmoniousness. The sun had by this time sunk below the horizon, and in the twilight I saw an aureole of lambent light encircled the child's head. Then in a tone of silver it addressed me: "It is the end. They have come down through the gloaming from the stars. Now all is over, and beyond the Arinurian streams we shall dwell blissfully in Teloe." As the child spoke, I beheld a soft radiance through the leaves of the palm tree, and rising, greeted a pair whom I knew to be the chief singers among those I had heard. A god and goddess they must have been, for such beauty is not mortal; and they took my hands, saying, "Come, child, you have heard the voices, and all is well...."
“There were incidents and accidents
There were hints and allegations…”
You Can Call Me Al
Song lyrics, Graceland (1986)
NPR: Excerpt: The Best of I.F. Stone (5 September 2006)