
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 8
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 12
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 8
Progress, Coexistence and Intellectual Freedom (1968)
Context: The worldwide dangers of war, famine, cults of personality, and bureaucracy — these are perils for all of mankind.
Recognition by the working class and the intelligentsia of their common interests has been a striking phenomenon of the present day. The most progressive, internationalist, and dedicated element of the intelligentsia is, in essence, part of the working class, and the most advanced, educated, internationalist, and broad-minded part of the working class is part of the intelligentsia.
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 8
"Margaret Thaler Singer." Biography Resource Center Online. Gale, 2004.
About, Recognized expert
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 9
Susan Dewey in [Dewey, Susan, Making Miss India Miss World: Constructing Gender, Power, and the Nation in Postliberalization India, http://books.google.com/books?id=-WamxY5bQtIC&pg=PA111, 2008, Syracuse University Press, 978-0-8156-3176-7, 111–]
A Man From Lebanon: Nineteen Centuries Afterward
Jesus, The Son of Man (1928)
Context: Here and there, betwixt the cradle and the coffin, I meet your silent brothers,
The free men, unshackled,
Sons of your mother earth and space.
They are like the birds of the sky,
And like the lilies of the field.
They live your life and think your thoughts,
And they echo your song.
But they are empty-handed,
And they are not crucified with the great crucifixion,
And therein is their pain.
The world crucifies them every day,
But only in little ways.
The sky is not shaken,
And the earth travails not with her dead.