“The work of the information officer [should be] regarded as the natural dynamic extension of that of the librarian.”

— Douglas John Foskett

Palmer and Foskett (1958, p. 1495) as cited in: Alistair Black et al. (2012) The Early Information Society: Information Management in Britain Before the Computer. p. 41

Adopted from Wikiquote. Last update June 3, 2021. History

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Douglas John Foskett 24

1918–2004

Anthony Sampson (1926–2004) British writer and journalist

Source: Anatomy of Britain Today (1965), Chapter 9.

“Librarians are the secret masters of the world. They control information. Don't ever piss one off.”

Spider Robinson (1948) Canadian author

Variant: ... one of the secret masters of
the world: a librarian. They
control information. Don't ever p**s one off.
Source: The Callahan Touch

“It is very important, that principal officers should be in full possession of all information necessary to enable them to judge correctly as to the industry and efficiency of subordinates of every grade.”

Daniel McCallum (1815–1878) Canadian engineer and early organizational theorist

Source: Report of the Superintendent of the New York and Erie Railroad to the Stockholders (1856), p. 40-41: Cited in Chandler (1977, p. 103)

“The relation between the social sciences and the natural sciences has long been fraught with difficulties. A minority of social scientists (including some anthropologists) regard their activity as an extension, or a branch, of biological research. Others argue that the social sciences ought to be sciences of the same kind as the natural sciences; that they should strive after the same kind of precision and the same kind of parsimonious clarity that can be achieved for instance in chemistry.”

Thomas Hylland Eriksen (1962) Norwegian social anthropologist and professor

Source: What is Anthropology? (2nd ed., 2017), Ch. 7 : Nature

“To produce good sculpture it is not necessary to copy the works of antiquity; it is necessary first of all to regard the works of nature, and to see in those of the classics only the method by which they have interpreted nature.”

Auguste Rodin (1840–1917) French sculptor

Attributed to Auguste Rodin by Isadora Duncan, As quoted in Modern Dancing and Dancers (1912) by John Ernest Crawford Flitch, p. 105.
1900s-1940s

“This was certainly at the root of my intense dislike of machinery, and my firm determination never to work in an office or anything of that nature.”

Christian Dior (1905–1957) French fashion designer

His aversion for his father’s factories about which he was terrified. He was guided in all things by his mother. His senses were simulated by the floral, ornamental opulence of her world. P.11
Christian Dior: The Man who Made the World Look New

“We define a fruitful partnership between our twin professions of librarian and information systems scientist in support of this adventure in creativity, and the pursuit of wisdom? If it is the nature of the creative mind that it sets out to grapple with the tensions and contradictions in the "paradigm", as Kuhn calls it, it follows that first of all one must know what the paradigm is.”

Douglas John Foskett (1918–2004)

Librarians and Information Systems (1995)

“The issue of 'science' does not intrude itself directly upon the occasion of the performance of a musical work, at least a non-electronically produced work, since—as has been said—there is at least a question as to whether the question as to whether musical composition is to be regarded as a science or not is indeed really a question; but there is no doubt that the question as to whether musical discourse or—more precisely—the theory of music should be subject to the methodological criteria of scientific method and the attendant scientific language is a question, except that the question is really not the normative one of whether it 'should be' or 'must be,' but the factual one that it is, not because of the nature of musical theory, but because of the nature and scope of scientific method and language, whose domain of application is such that if it is not extensible to musical theory, then musical theory is not a theory in any sense in which the term ever has been employed. This should sound neither contentious nor portentous, rather it should be obvious to the point of virtual tautology.”

Milton Babbitt (1916–2011) American composer

From Milton Babbitt, "The Structure and Function of Musical Theory", College Music Symposium, Vol. 5 (Fall 1965), pp. 49-60; reprinted in Perspectives on Contemporary Music Theory, ed. Benjamin Boretz and Edward T. Cone (New York: Norton, 1972), pp. 10-21, ISBN 0393005488, and in Milton Babbitt, The Collected Essays of Milton Babbitt, ed. Stephen Peles, with Stephen Dembski, Andrew Mead, and Joseph N. Straus (Princeton: Princeton University Press, 2003), pp. 191-201, ISBN 0691089663.

“Dynamism is also the forming formula for Futurists works; i. e. dynamism is the additional element that transforms the perception of one state of phenomena to another, for example, from a static to a dynamic perception.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote c. 1915 in 'Cubofuturism', Malevich, in his Essays on Art, op. cit., vol 2; as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 59
1910 - 1920

“The nineteenth-century liberal regarded an extension of freedom as the most effective way to promote welfare and equality; the twentieth-century liberal regards welfare and equality as either prerequisites of or alternatives to freedom.”

Milton Friedman book Capitalism and Freedom

Introduction, p. 5
Capitalism and Freedom (1962)

“The work of the information officer [should be] regarded as the natural dynamic extension of that of the librarian.”

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Douglas John Foskett 24

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