
“One cannot create an art that speaks to me when one has nothing to say.”
L'espoir [Man's Hope] (1938)
On parle toujours mal quand on n'a rien à dire.
"Commentaires sur Corneille," Oeuvres complètes de Voltaire (1827)
Citas
On parle toujours mal quand on n'a rien à dire.
“One cannot create an art that speaks to me when one has nothing to say.”
L'espoir [Man's Hope] (1938)
Source: 1980s, The Ecstasy of Communication (1987), p. 30
“One repays a teacher badly if one always remains nothing but a pupil.”
Source: Thus Spoke Zarathustra
“When he has nothing to say, he lets words speak.”
J. Agee, trans. (1989), p. 147
Das Geheimherz der Uhr [The Secret Heart of the Clock] (1987)
Source: The Science of Illusions; English translation by Franklin Philip (emphasis added).
Context: Political, scientific, or religious debates are often distorted according to an immutable principle: one brings together the person who is wrong, who is a hardened demagogue, and whose cause one secretly espouses, to face an opponent who is right but who does not know the case well enough to counter his adversary on precise technical points.
Take the case of the charlatan who claims to transmit thoughts at a distance. A newspaper that claims to be objective, well-balanced, reader-respectful, and nonpartisan will put two discourses in opposition: that of the charlatan who claims to have abilities not explained by physics, and that of critics: academicians or Nobel Prize winners who will bring out their authority, express their righteous indignation, say that they cannot give any credence to a phenomenon so manifestly opposed to the most sacred laws of physics, and the like. The reader to whom the two contradictory discourses have been served up will not fail to congratulate the newspaper for its remarkable objectivity.
The only one who will not be given the floor is the professional magician who "knows the trick" and could perform it without further ado for the public. Had he been allowed to speak, the reader would understand everything right away, and there would be nothing left to write in the next few days on this subject. The whole art thus consists of getting the charlatans to speak on the one hand and the distinguished scientists to speak on the other, provided the latter have nothing relevant to say on the subject. But it sometimes happens, alas, that an independent journal comes along and lets the cat out of the bag.
Letter to Mrs. Blumberg (27 September 1977)
Context: There is not an idea that cannot be expressed in 200 words. But the writer must know precisely what he wants to say. If you have nothing to say and want badly to say it, then all the words in all the dictionaries will not suffice.
As quoted in "At 90, and Still Dynamic : Revisiting Sir Karl Popper and Attending His Birthday Party" by Eugene Yue-Ching Ho, in Intellectus 23 (Jul-Sep 1992)
Original French: Il est donc tout simplement faux que ce dont on ne peut parler (au sens ou il n'y a rien à en dire qui le spécifie, qui lui accorde des propriétés séparatrices), il faille le taire. Il faut au contraire le nommer...
From Manifesto for Philosophy. Albany: State University of New York Press, 1999. ISBN 0791442209.
The quote is a commentary on Ludwig Wittgenstein, "Whereof one cannot speak, thereof one must be silent".