“Ridiculous as the idea may have been for her bluestocking mother to send brother and sister over alone like this, the fact was that Judy was protected as much by her curiosity as by her innocence. And then there was this other thing about her, too. You know all that razzle-dazzle about people being born in Original Sin and all that rot? Well, maybe it’s rot and maybe it isn’t. I mean I wouldn’t slit my throat from ear to ear, just because I’d found out for sure that most people are. But she wasn’t. That was the thing. She simply wasn’t.”

— Elaine Dundy

I’m positive of that.
Part One, Two
The Dud Avocado (1958)

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Elaine Dundy 42

American journalist, actress 1921–2008

Related quotes

“My mother took too much, a great deal too much, care of me; she over-educated, over-instructed, over-dosed me with premature lessons of prudence: she was so afraid that I should ever do a foolish thing, or not say a wise one, that she prompted my every word, and guided my every action. So I grew up, seeing with her eyes, hearing with her ears, and judging with her understanding, till, at length, it was found out that I had not eyes, ears or understanding of my own.”

Maria Edgeworth (1768–1849) Irish writer

Vivian (1812), ch. 1; Tales and Novels, vol. 8, p. 8.

“Wisdom's daughter walks alone—”
“Ella!” Frank stood suddenly. “Maybe it's not the best time—”Ella continued, cupping her hands over her ears and raising her voice.”

Rick Riordan The Mark of Athena

Source: The Mark of Athena

““Mama’s beautiful?” I asked. “Are you blind?” said my brother. “Don’t you see how men and women are always looking at our mother everywhere she goes. Our mother is more beautiful than any movie star you’ll ever see, and yet this isn’t why papa chose her. He chose her, he’s told us a thousand times, because when he first saw her, she was in line to go into the dance hall over in Carlos Malo with her brother and sister. And when a fight broke out, she didn’t get excited and enjoy it like her sister and the other women. No, she and her brother moved away, wanting no part of it, and so, by seeing this, papa knew that she was a woman of high intelligence, respect, and responsibility; a person that he could trust with his life. And trust, remember, is the foundation of all love, papa says.””

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

“And so I go in there, and it's one of them bars, like everyone's drinking beer and there are like, say, twenty people in there and they have maybe, say, seventeen teeth total in the whole place. And I'm not a good fighter, or very good at protecting myself at all, you know! And I thought, well this could - this may not work out. So I saw behind the bar there was this one older woman; she looked like she was in her eighties and she kinda hunched over like I remember my grandma started to do, she kinda, she had curly white hair, and she's all… I thought, well, I could take her…”

Todd Snider (1966) American singer

The Story of the Ballad of the Devil's Backbone Tavern.
Near Truths and Hotel Rooms (2003)
Context: (Spoken) You get out in the desert and there's no signs. And of course it was just me and all my friends, it was all guys in the car, so we drove about another two and a half hours before we ever pulled over and asked anybody where we was. And we were on this thing called the Devil's Backbone Highway, right, so we finally pull into this place uniquely named "The Devil's Backbone Tavern." We go in, and all the guys say I gotta go in, you know. And so I go in there, and it's one of them bars, like everyone's drinking beer and there are like, say, twenty people in there and they have maybe, say, seventeen teeth total in the whole place. And I'm not a good fighter, or very good at protecting myself at all, you know! And I thought, well this could - this may not work out. So I saw behind the bar there was this one older woman; she looked like she was in her eighties and she kinda hunched over like I remember my grandma started to do, she kinda, she had curly white hair, and she's all... I thought, well, I could take her...

“I can smell you,” he groaned against her ear as he ran his fangs up her throat. “The most beautiful thing in the world—except for your taste.”

Jessica Bird (1969) U.S. novelist

Source: The King

“Tell her about it
Tell her everything you feel
Give her every reason to accept
That you're for real.
Tell her about it.
Tell her all your crazy dreams.
Let her know you need her
Let her know how much she means.”

Billy Joel (1949) American singer-songwriter and pianist

Tell Her About It.
Song lyrics, An Innocent Man (1983)

“My mother and I have this really strangely close relationship. No other relationship can come close to it. It's frightening. Even when I'm in a relationship with a man, I compare it to my relationship with my mother. She is a friend, but she is still a mother, and everything a mother needs to be, she is. She is really observing and caring and doesn't want anything but giving because it's her joy. Even when I can't bear anybody, not even myself, she 's like the sun coming up to me. She dedicated all her life to me. Sometimes I feel that she gave her life to me and now it's my job to maybe take her somewhere. But what is it she doesn't know? She knows things I couldn't begin to know. Yet she is so fresh with ideas which I already take for granted. She sometimes wakes me up and says, 'Don't you see?”

Nastassja Kinski (1961) German actress

and she makes me see and feel things again. Nobody, not my father, not anybody, has done that for me, except movies.
As quoted in Denise Worrell (1989), Icons: Intimate Portraits.

“Annabeth pressed her lips to Percy’s ear. “I love you.”
She wasn’t sure he could hear her—but if they died, she wanted those to be her last words.”

Rick Riordan book The House of Hades

Source: The House of Hades

“I recall some years ago this mother and son in California who was very angry and stomped out of the meeting and I did not see her again because I said it was the duty of Christian parents to have their child in the Christian school. And she went on about how wonderful their church was, and how marvelous the youth was, and her daughter had the best kind of Christian training imaginable and she was a good witness at school. And I never saw her again but I heard from her about six, seven years later when she called me weeping. Did I know a school that would take her daughter because her daughter was now into demonism, she was out sometimes for two or three nights, was into drugs and promiscuity, if the mother tried to say anything to her the girl thought nothing about pulling a knife and backing the mother against the wall with a knife against her throat and threatening her life. And she wanted to know if there was a Christian school in town, in particular, and I told her it would take a full time guard to stand over your daughter every moment, and she wanted, she felt that it was unchristian that they wouldn’t take her daughter. And I reminded her of her stand a few years back, when she continued to whine and feel sorry for herself, someone was going to take the mess she had created and hand her back her daughter, perhaps to stick her back in the public schools again.”

Rousas John Rushdoony (1916–2001) American theologian

Audio lectures, Dangers Inherent in Public Education (March 24, 1986)

“She wanted to tell me. Maybe she even tried. But she couldn't. It wasn't because I was only twelve. It was because I was her child, created by her and Father because they wanted to be in bed together and nothing else would do, nobody else would do. You see? … Because to the child, he was not created by his mother's and his father's passion or capacity for it. He couldn't have been because he was there first, he came first, before the passion; he created the passion, not only it but the man and the woman who served it; his father is not his father but his son-in-law, his mother not his mother but his daughter-in-law if he is a girl. … and if a boy or a girl really is his father's and her mother's father-in-law or mother-in-law, which would make the girl her brother's mother no matter how much younger she was, then a girl with just one brother and him a twin at that, would maybe be his wife and mother too.”

William Faulkner book The Town

Charles Mallinson in Ch. 19; Charles Mallinson's mother, Maggie, and his uncle, Gavin Stevens, besides being their parents' only children, are twins.
The Town (1957)

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