
“You have your brush, you have your colors, you paint the paradise, then in you go.”
Source: https://www.jstor.org/stable/3831088 Journal of Modern Literature Vol. 2, No. 2, Nikos Kazantzakis (1971 - 1972)
Nürnberger Nachrichten, August 17, 2007
“You have your brush, you have your colors, you paint the paradise, then in you go.”
Source: https://www.jstor.org/stable/3831088 Journal of Modern Literature Vol. 2, No. 2, Nikos Kazantzakis (1971 - 1972)
Source: An Anthology of Vietnamese Poems, trans. Huỳnh Sanh Thông (Yale University Press, 1996), ISBN 978-0300064100
“My school colors were clear. We used to say, 'I'm not naked, I'm in the band.”
1950's
Source: Conversations with Artists, Selden Rodman, New York Devin-Adair 1957. p. 93.; reprinted as 'Notes from a conversation with Selden Rodman, 1956', in Writings on Art: Mark Rothko (2006) ed. Miguel López-Remiro p. 119 books.google http://books.google.de/books?id=ZdYLk3m2TN4C&pg=PA119
Context: I am not an abstractionist... I am not interested in the relationships of color or form or anything else... I'm interested only in expressing basic human emotions — tragedy, ecstasy, doom and so on — and the fact that a lot of people break down and cry when confronted with my pictures show that I communicate those basic human emotions... The people who weep before my pictures are having the same religious experience I had when I painted them. And if you, as you say, are moved only by their color relationships, then you miss the point!
Early 1960s : "Ellsworth Kelly, a Retrospective", ed. Diane Waldman, Guggenheim Museum, New York 1997, p. 11
1950 - 1968
“It’s not the size of the brush; it’s the expanse of the imagination.”
Ron English's Fauxlosophy (2016)