[3] Metaphor, 3.12. Conclusions
Semiotics and the Philosophy of Language (1984)
Context: No algorithm exists for the metaphor, nor can a metaphor be produced by means of a computer's precise instructions, no matter what the volume of organized information to be fed in. The success of a metaphor is a function of the sociocultural format of the interpreting subjects' encyclopedia. In this perspective, metaphors are produced solely on the basis of a rich cultural framework, on the basis, that is, of a universe of content that is already organized into networks of interpretants, which decide (semiotically) the identities and differences of properties. At the same time, content universe, whose format postulates itself not as rigidly hierarchized but, rather, according to Model Q, alone derives from the metaphorical production and interpretation the opportunity to restructure itself into new nodes of similarity and dissimilarity.
“For me, reason is the natural organ of truth; but imagination is the organ of meaning. Imagination, producing new metaphors or revivifying old, is not the cause of truth, but its condition.”
"Bluspels and Flalansferes: A Semantic Nightmare", Rehabilitations and Other Essays (1939)
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Clive Staples Lewis 272
Christian apologist, novelist, and Medievalist 1898–1963Related quotes
"The Statesman's Manual" (1816)
In an interview with Christiane Vielhaber, 1986; as cited on collected quotes on the website of Gerhard Richter: 'on Other subjects' https://www.gerhard-richter.com/en/quotes/other-aspects-6
1980's
“Poetry is the art of uniting pleasure with truth, by calling imagination to the help of reason.”
The Life of Milton
Lives of the English Poets (1779–81)
Letter to his brother (1791).
Letters
quoted by Albert Frederick Calvert, in Goya; an account of his life and works; publisher London J. Lane, 1908; as quoted in Francisco Goya, Hugh Stokes, Herbert Jenkins Limited Publishers, London, 1914, pp. 355-377
Goya wrote this inscription upon a later copy of the etching-plate Capricho no. 43
1790s
The Necessary Angel (1951), Imagination as Value
Context: The truth seems to be that we live in concepts of the imagination before the reason has established them. If this is true, then reason is simply the methodizer of the imagination.
“It is, I admit, mere imagination; but how often is imagination the mother of truth?”
Source: The Valley of Fear