“True majorities, in a TV-dominated and anti-intellectual age, may need sound bites and flashing lights—and I am not against supplying such lures if they draw children into even a transient concern with science. But every classroom has one [Oliver] Sacks, one [Eric] Korn, or one [Jonathan] Miller, usually a lonely child with a passionate curiosity about nature, and a zeal that overcomes pressures for conformity. Do not the one in fifty deserve their institutions as well—magic places, like cabinet museums, that can spark the rare flames of genius?”

"Cabinet Museums: Alive, Alive, O!", p. 246
Dinosaur in a Haystack (1995)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "True majorities, in a TV-dominated and anti-intellectual age, may need sound bites and flashing lights—and I am not aga…" by Stephen Jay Gould?
Stephen Jay Gould photo
Stephen Jay Gould 274
American evolutionary biologist 1941–2002

Related quotes

Evelyn Waugh photo
William Golding photo

“Basically I'm an optimist. Intellectually I can see man's balance is about fifty-fifty, and his chances of blowing himself up are about one to one. I can't see this any way but intellectually. I'm just emotionally unable to believe that he will do this.”

William Golding (1911–1993) British novelist, poet, playwright and Nobel Prize for Literature laureate

Interview with James Keating, Purdue University (7 May 1961), printed in Lord of the Flies: The Casebook Edition (1964)
Context: Basically I'm an optimist. Intellectually I can see man's balance is about fifty-fifty, and his chances of blowing himself up are about one to one. I can't see this any way but intellectually. I'm just emotionally unable to believe that he will do this. This means that I am by nature an optimist and by intellectual conviction a pessimist, I suppose.

“I am here to protest against child molesters. For as surely as there are those who lure children with lollypops in order to rape their bodies, so, too, do these lure children with candy-coated lies in order to rape their minds.”

Maurice Davis (1921–1993) American rabbi

Cults Hearing Noisy, Tense http://www.washingtonpost.com/wp-srv/national/longterm/cult/misc/hearing2.htm, By Marjorie Hyer, Washington Post Staff Writer, Tuesday, February 6, 1979; Page A14, The Washington Post

Dashiell Hammett photo
Edith Wharton photo

“In spite of illness, in spite even of the archenemy sorrow, one can remain alive long past the usual date of disintegration if one is unafraid of change, insatiable in intellectual curiosity, interested in big things, and happy in small ways.”

Edith Wharton (1862–1937) American novelist, short story writer, designer

"A First Word"
A Backward Glance http://gutenberg.net.au/ebooks02/0200271.txt (1934)

Edith Sitwell photo

“Then sounds the voice of One who like the heart of man
Was once a child who among beasts has lain —
"Still do I love, still shed my innocent light, my Blood, for thee."”

Edith Sitwell (1887–1964) British poet

Still Falls the Rain (1940)
Context: See, see where Christ's blood streames in the firmament:
It flows from the Brow we nailed upon the tree Deep to the dying, to the thirsting heart
That holds the fires of the world, — dark-smirched with pain
As Caesar's laurel crown. Then sounds the voice of One who like the heart of man
Was once a child who among beasts has lain —
"Still do I love, still shed my innocent light, my Blood, for thee."

Nikola Tesla photo
Guity Novin photo
George Moore (novelist) photo

“I will admit that an artist may be great and limited; by one word he may light up an abyss of soul; but there must be this one magical and unique word.”

George Moore (novelist) (1852–1933) Irish novelist, short-story writer, poet, art critic, memoirist and dramatist

Source: Confessions of a Young Man http://www.gutenberg.org/files/12278/12278-h/12278-h.htm (1886), Ch. 12.
Context: I will admit that an artist may be great and limited; by one word he may light up an abyss of soul; but there must be this one magical and unique word. Shakespeare gives us the word, Balzac, sometimes, after pages of vain striving, gives us the word, Tourgueneff gives it with miraculous certainty; but Henry James, no; a hundred times he flutters about it; his whole book is one long flutter near to the one magical and unique word, but the word is not spoken; and for want of the word his characters are never resolved out of the haze of nebulae. You are on a bowing acquaintance with them; they pass you in the street, they stop and speak to you, you know how they are dressed, you watch the colour of their eyes.

Related topics