“I was making very aggressive provocative paintings. Whether the Rachel paintings, or the Diana paintings, I've sensed over the three or four years that I've been in getting press attention, I've sensed that it has not been that long since the woman painter was not allowed in the Royal Academy, and not allowed to paint nude men, and thee is such a huge body of work that men have made, versus the small body of work made by women, that I am not surprised to get this response.”

—  Stella Vine

Honigman, Ana Finel. &quot;Stella Vine in conversation with Ana Finel Honigman&quot; http://www.saatchi-gallery.co.uk/blogon/2007/07/stella_vine_in_conversation_wi.php, Saatchi Gallery (2007-07-25). <br class="br">On being a female artist.

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I was making very aggressive provocative paintings. Whether the Rachel paintings, or the Diana paintings, I've sensed o…" by Stella Vine?
Stella Vine photo
Stella Vine36
English artist 1969

Related quotes

“I do both: I make preliminary drawings, other times I paint directly, other times I start a painting and then paint it out so that it becomes another painting or nothing at all. If a painting doesn't work, throw it out. When I work from preliminary sketches, I don't just enlarge these drawings, but plan my areas in a large painting by using small drawings for separate areas. I combine them in a final painting, often adding to or subtracting from the original sketches.... There are certain canvases here in my studio - the little one over there – that I've worked on for a good six months – painting most of it out and then painting it over and over again. I think I've got it now.”

Franz Kline (1910–1962) American painter

1958
1960's, Talks with Seventeen Artists, 1962

Frank Stella photo

“The painting never changes once I've started to paint it. I work things out before-hand in the sketches.”

Frank Stella (1936) American artist

Quotes, 1971 - 2000
Source: Machine in the Studio, Caroline. A. Jones, University of Chicago Press, 1996, pp. 197-198

Giorgio Morandi photo

“As regards my paintings of similar compositions I cannot give you any indication [about possible 'variants' in his works] because I'm afraid I've never made a note of where my paintings have ended up... I am always at work and work is my sole passion. And unfortunately I've become aware that I must always start from the beginning, and ought to burn what I've done in the past.”

Giorgio Morandi (1890–1964) Italian painter

Quote in his letter of 2 Aug. 1954; as cited in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 42
1945 - 1964

“I've started painting much more freely, and faster. I think it's working in the theatre that did it. You know what the Glyndebourne scene-painters said about my The Magic Flute? They said they had to wear sunglasses to paint it.”

David Hockney (1937) British artist

"Portrait of the Artist as a Naughty Boy," interview with John Mortimer, In Character (1983) p. 97
1980s

“I've explored a variety of directions and themes over the years. But I think in my painting you can see the signature of one artist, the work of one wrist.”

Helen Frankenthaler (1928–2011) American artist

Quote from Abstract Expressionism, Barbara Hess, Taschen Köln, 2006, p. 15
1990s - 2000s

Bram van Velde photo

“I don’t know if I've got close enough [in two recent paintings he made] to what I was really trying to achieve. But at least I've tried, I've made the attempt. I've done what I could. I've gone as far as my powers permitted.”

Bram van Velde (1895–1981) Dutch painter

short quotes, 2 November 1970; p. 81
1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

Clive Barker photo

“The paintings of Francis Bacon to my eye are very beautiful. The paintings of Bosch or Goya are to my eye very beautiful. I've also stood in front of those same paintings with people who've said, "let's get on to the Botticellis as soon as possible."”

Clive Barker (1952) author, film director and visual artist

I have lingered, of course.
American Heroes #174

Bram van Velde photo

“Of course painting is ridiculous. But it’s the only way I've got to get closer to life.”

Bram van Velde (1895–1981) Dutch painter

1960's, Conversations with Samuel Beckett and Bram van Velde' (1965 - 1969)

“I really learned how to look at art.... before 1960. And in a sense that sharpened my eye for abstract pictures. Because, it's light in the painting that makes it work. It's light in the painting that makes it work.”

Helen Frankenthaler (1928–2011) American artist

quote about the role of light
1960s, Interview with Barbara Rose', Archives - American Art, 1968

“I've painted for a very long time, but I don't get tired or bored by it; I love to do it. If I don't paint one day, I don't feel well physically or mentally. My eyes bother me when I don't paint. But when I paint a full day, I feel satisfied and everything seems to be OK. I would never stop, never retire. I don't see how people can retire; I don't understand that. My brother Moses died while he was painting. He was actually working on a painting, and the last words he said were to the model: "Phoebe, don't frown."”

Raphael Soyer (1899–1987) American artist

Then he died. He worked to the very last minute.
As quoted in Paper Lanterns (Quotations from The Sun) p. 59.

Related topics