“Love, as it exists in society, is nothing but the exchange of two fantasies and the contact of two skins.”
L'amour, tel qu'il existe dans la société, n'est que l'échange de deux fantaisies et le contact de deux épidermes.
Maximes et pensées (1805), nr. 359
Original
L'amour, tel qu'il existe dans la société, n'est que l'échange de deux fantaisies et le contact de deux épidermes.
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Nicolas Chamfort 54
French writer 1741–1794Related quotes

This may possibly be of some practical interest.
"Soft Matter" Nobel lecture (9 December 1991)

Ma Ying-jeou (2013) cited in: " Legislators stall cross-strait office draft http://www.taipeitimes.com/News/front/archives/2013/06/21/2003565291/2" in The Taipei Times, 21 June 2013.
Statement made at KMT Headquarter in commenting the stall negotiation in establishing reciprocal representative office across the Taiwan Strait, 20 June 2013.
Strait issues
“sudden, spontaneous eye contact is a sign that two people should talk.”
Source: The Celestine Prophecy
The Twilight Zone, "The Fugitive" (1962).
The Twilight Zone

“Two meanings have our lightest fantasies, —
One of the flesh, and of the spirit one.”
Sonnet XXXIV
Sonnets (1844)

Address to the British Association for the Advancement of Science (1898)
Context: No incident in my scientific career is more widely known than the part I took many years ago in certain psychic researches. Thirty years have passed since I published an account of experiments tending to show that outside our scientific knowledge there exists a Force exercised by intelligence differing from the ordinary intelligence common to mortals. This fact in my life is, of course, well understood by those who honored me with the invitation to become your president. Perhaps among my audience some may feel curious as to whether I shall speak out or be silent. I elect to speak, although briefly. … To ignore the subject would be an act of cowardice — an act of cowardice I feel no temptation to commit.
To stop short in any research that bids fair to widen the gates of knowledge, to recoil from fear of difficulty or adverse criticism, is to bring reproach on science. There is nothing for the investigator to do but to go straight on; "to explore up and down, inch by inch, with the taper his reason; "to follow the light wherever it may lead, even should it at times resemble a will-o'-the-wisp. I have nothing to retract. I adhere to my already published statements. Indeed, I might add much thereto. I regret only a certain crudity in those early expositions which, no doubt justly, militated against their acceptance by the scientific world. My own knowledge at that time scarcely extended beyond the fact that certain phenomena new to science had assuredly occurred, and were attested by my own sober senses and, better still, by automatic record. I was like some two-dimensional being who might stand at the singular point of a Riemann's surface, and thus find himself in infinitesimal and inexplicable contact with a plane of existence not his own.
I think I see a little farther now. I have glimpses of something like coherence among the strange elusive phenomena; of something like continuity between those unexplained forces and laws already known. This advance is largely due to the labors of another association, of which I have also this year the honor to be president — the Society for Psychical Research. And were I now introducing for the first time these inquiries to the world of science I should choose a starting point different from that of old. It would be well to begin with telepathy; with the fundamental law, as I believe it to be, that thoughts and images may be transferred from one mind to another without the agency of the recognized organs of sense — that knowledge may enter the human mind without being communicated in any hitherto known or recognized ways.
respect, not contempt.
Source: SCUM MANIFESTO (1967), p. 10 ("respect, not contempt." (not bracketed in original) not certain in original due to truncation of bottom of photocopy page but consistent with it).

Last interview (1980)
Context: I’m 40, I wanna talk to the people my age. I’m happy if the young people like it, and I’m happy if the old people like it, I’m talkin’ to guys and gals that have been through what we went through, together — the sixties group that has survived. Survived the war, the drugs, the politics, the violence on the street – the whole she-bang – that we’ve survived it and we’re here. And I’m talkin’ to them. And the "Woman" song is to Yoko, but it’s to all women. And, because my role in society – or any artist or poet’s role – is to try to express what we all feel. Not to tell people how to feel, not as a preacher, not as a leader, but as a reflection of us all. And it’s like that’s the job of the artist in society, not to... they’re not some alienated being living on the outskirts of town. It’s fine to live on the outskirts of town, but artists must reflect what we all are. That’s what it’s about – artists, or poets or whatever you wanna call it. And that’s what I’m tryin’ to express on behalf of all the men to all the women, through my own feelings about women – when it dawned on me, "God! It is the other half of the sky" as the late-great Chairman MacDougal said, right? I mean, they are the other half of the sky, and without them there is nothing. And without us there’s nothing. There’s only the two together creating children, creating society. So what’s all this B. S. about, you know, "women are this" and "men are that" – we’re all human, man. We’re all human. And, I am tryin’ to say it to Yoko, but to all women, you know? On behalf of all men, in a way. If that’s taken it too much on meself, I feel that artists are that – they’re reflections of society... Mirrors.