“In my very first review I was already jaded, observing of "Galia," an obscure French film, that it "opens and closes with arty shots of the ocean, mother of us all, but in between it's pretty clear that what is washing ashore is the French New Wave." My pose in those days was one of superiority to the movies, although just when I had the exact angle of condescension calculated, a movie would open that disarmed my defenses and left me ecstatic and joyful.”

John Carpenter Q&A: Why ‘Halloween’ Didn’t Need Sequels & What Scares The Master Of Horror http://deadline.com/2014/10/john-carpenter-qa-halloween-sequels-michael-myers-861942/ (October 31, 2014)

O interview (2003)
Context: I had been already trying to do Frida, but I would sit on my sorrows because it was so difficult. But now I was learning new things. And so I thought, this is what I want to do. I want to do one movie that if I die the next day, I know I left one thing in this world that I was very proud of, that other people can see, that meant something to me, that had my voice. Because God forbid I die tomorrow, I'm the bombshell for the rest of my existence. … Then I became very angry I said, I have become what they decided I am. When did I fall in this trap? Somebody decided I was this, and I became that. And I said, "I'm going to change it now. I'm going to define myself."

On the adaptation of her novel I Know What You Did Last Summer in 1997, quoted in MoviePilot https://moviepilot.com/posts/3514425 piece
1990–2002

translation from original Dutch: Fons Heijnsbroek

(original Dutch: citaat van Hendrik Willem Mesdag's brief, in het Nederlands:) ..de critieken op mijn werk in de Fransche, Engelsche bladen [zijn].. ..voldoende om te kunen beweren dat ik reeds nu onder de tegenwoordige marine schilders een voorname plaats inneem. Dit wil ik ook bij het stellen [bepalen] mijner prijzen in aanmerking genomen hebben.

In a letter to art-sellers Goupil in The Hague, 1870's; as cited in De Copieboeken of De Wording van de Haagsche School, Johan Poort; Mesdag Documentatie Centrum, Wassenaar, 1996, pp. 89-90
before 1880

I’m a diehard romantic - Shraddha Kapoor via Filmfare (April 30, 2013) http://www.filmfare.com/interviews/im-a-diehard-romantic-shraddha-kapoor-3014.html

Source: Monster

"Earl Holliman: actor with desire for variety" (1973)

On his role in The Producers — reported in Amy Longsdorf (December 25, 2005) "Lane, Broderick play off each other", The Record, p. E01.

Jessica Lange: Woman Behind the Ape http://www.rogerebert.com/interviews/jessica-lange-woman-behind-the-ape (December 17, 1976)