
On how she compares short story writing to novel writing in “An Interview with Tracy Chevalier” https://fictionwritersreview.com/interview/an-interview-with-tracy-chevalier/ in Fiction Writers Review (2019 Sep 23)
Still Life with Woodpecker (1980)
On how she compares short story writing to novel writing in “An Interview with Tracy Chevalier” https://fictionwritersreview.com/interview/an-interview-with-tracy-chevalier/ in Fiction Writers Review (2019 Sep 23)
On plays versus novels in “Luis Rafael Sánchez: Counterpoints" https://ufdc.ufl.edu/UF00096005/00024/14j (Sargasso, 1984)
"The Superstitions of Fred Anneday, Annday, Anday; a Novel of Real Life" (1935)
How Writing Is Written: Previously Uncollected Writings, vol.II (1974)
In Pursuit of Valis: Selections from the Exegesis (1991)
Context: I am a fictionalizing philosopher, not a novelist; my novel and story-writing ability is employed as a means to formulate my perception. The core of my writing is not art but truth. Thus what I tell is the truth, yet I can do nothing to alleviate it, either by deed or explanation. Yet this seems somehow to help a certain kind of sensitive troubled person, for whom I speak. I think I understand the common ingredient in those whom my writing helps: they cannot or will not blunt their own intimations about the irrational, mysterious nature of reality, and, for them, my corpus of writing is one long ratiocination regarding this inexplicable reality, an investigation and presentation, analysis and response and personal history. My audience will always be limited to those people.
On the endings of her works in “Maylis de Kerangal by Jessica Moore” https://bombmagazine.org/articles/maylis-de-kerangal/ in Bomb Magazine (2015 Dec 15)
Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)
“When I want to read a novel, I write one.”