“Everywhere, no matter what the sphere of interest (whether religious, political, or personal), the really creative acts are represented as those deriving from some sort of dying to the world; and what happens in the interval of the hero's nonentity, so that he comes back as one reborn, made great and filled with creative power, mankind is also unanimous in declaring. We shall have only to follow, therefore, a multitude of heroic figures through the classic stages of the universal adventure in order to see again what has always been revealed. …the singleness of the human spirit in its aspirations, powers, vicissitudes, and wisdom.”

English Prose Style (1928)
Literary Quotes

Source: Muhammad: A Biography of The Prophet (2001), Chapter 4: "Revelation"

as quoted by [Gennadiĭ Efimovich Gorelik, Antonina W. Bouis, The world of Andrei Sakharov: a Russian physicist's path to freedom, Oxford University Press, 2005, 019515620X, 41]

The Historical Illuminatus as spoken by Sigismundo Celine
Context: The creative faculty, the god-power, is not used here with anything less than literalness. When beauty was created by a godly mind, beauty existed, as surely as the paintings of Botticelli or the concerti of Vivaldi exist. When mercy was created, mercy existed. When guilt was created, guilt existed. Out of a meaningless and pointless existence, we have made meaning and purpose; but since this creative act happens only when we relax after great strain, we feel it as 'pouring into us' from elsewhere. Thus, we do not know our own godhood and we are perpetually swindled by those who assure us that it is indeed elsewhere, but they can give us access to it, for a reasonable fee. And when we as a species were ignorant enough to be duped in that way, the swindlers went one step further, invented original sin and other horrors of that sort, and made us even more 'dependent' upon them.

June 1, 2006 - OndaRock Interview

As quoted in the New York Times article Terry Gilliam's Feel-Good Endings http://www.nytimes.com/2005/08/14/movies/14mcgr.html?_r=1&pagewanted=1&ref=terrygilliam (14 August 2005)

The Abolition of Work (1985)
Context: No one can say what would result from unleashing the creative power stultified by work. Anything can happen. The tiresome debater's problem of freedom vs. necessity, with its theological overtones, resolves itself practically once the production of use-values is co-extensive with the consumption of delightful play activity. Life will become a game, or rather many games, but not—as it is now — a zero/sum game. An optimal sexual encounter is the paradigm of productive play. The participants potentiate each other's pleasures, nobody keeps score, and everybody wins. The more you give, the more you get. In the ludic life, the best of sex will diffuse into the better part of daily life. Generalized play leads to the libidinization of life. Sex, in turn, can become less urgent and desperate, more playful.
If we play our cards right, we can all get more out of life than we put into it; but only if we play for keeps.
No one should ever work.
Workers of the world... relax! </center

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 56.

Revolution by Number